Francesco Bagnara came from a poor family and began work as a decorative room painter. Thanks to the interest of a local noble family (the Angarans), he was able to go to Venice, where he studied with
Giuseppe Borsato and helped him paint decorations for the . Around 1812, with the financial assistance of the Papadopoli family, he was able to open his own studio. He was later to design the Papadopoli Garden, for Count Spiridione Papadopoli. His first clients were the and the , and later became the official designer at La Fenice. During this period, he designed sets for several now-famous operas by
Gioachino Rossini. He also supplied decorations for provincial theaters. Because they generally could not afford full new sets for each production, he created a series of scenarios (about a dozen) that could be easily readapted for the occasion. None of these survive, but albums of watercolor sketches have been preserved at the . He contributed to the design of the garden at the Villa Parco Bolasco in Treviso. . Beginning in a
Neo-Classical style, he gradually adopted
Romanticism. He was known for his lack of concern for historical veracity, once having set in what looked like a Roman forum (instead of an Italian village), for example. Occasionally, he used machines to create theatrical effects; notably at a festival celebrating the coronation of
Ferdinand I of Austria in 1835. According to his official obituary, he created over 1,100 scenarios. ==References==