Bousquet was born in Marseille and began his musical studies there before enrolling in the
Conservatoire de Paris in 1907 where he studied under
Xavier Leroux,
André Gedalge and
Charles-Marie Widor. He won the conservatory's First Prize in harmony in 1909 and First Prize in counterpoint in 1910. His studies were interrupted for four years by
World War I when he served in an
engineering regiment of the French Army. From 1915 to 1918,
Nadia and
Lili Boulanger, both graduates of the conservatory, published
Gazette des Classes du Conservatoire with news of French musical life and letters from the conservatory's students who had been dispersed by the war. In a letter published in the 27 November 1916 issue Bousquet wrote from the front: [The gazette] has brought us back together. Music, dormant for an instant in the depths of memory, begins to sing again, and the musical life evoked in a few pages, with the exquisite recollections that it brings, achieves the miracle of awakening, amid so much desolation, an ardent longing for the future. A recipient of the
Croix de Guerre, Bousquet returned to the conservatoire after the war and continued his studies in composition. He entered the competition for the
Prix de Rome three times, gaining the Second Prize in 1921 and 1922 and the First Prize in 1923 for his
cantata Béatrix. The First Prize came with a bursary that allowed the recipient to stay at the
Villa Medici in Rome for two years and to travel for up to three more years. On his return from Rome in 1926, Bousquet took up an appointment as the director of the Conservatoire de Roubaix, a position he held until his death. In the 1930s he was a founder of the ''Association des Directeurs d'Écoles et Conservatoires de Musique Nationaux'' and later became its honorary president. In 1934 he was awarded the
Légion d'honneur for his artistic career and military service. He also worked as journalist for the Parisian arts journal
Comœdia during the
occupation of France in World War II. Bousquet continued to compose throughout his career. His first opera,
Zorriga, was written for and performed at the Théâtre des Arènes in
Béziers in 1925. His second,
Sarati le Terrible, premiered at the
Théâtre de l'Opéra-Comique in 1928. Both were set in North Africa and contained elements of
Arabic music. His last works were the three-act comic opera
Mon oncle Benjamin and the symphony
Hannibal.
Mon oncle Benjamin premiered at the Théâtre de l'Opéra-Comique on 10 March 1942 with
Roger Bourdin in the title role.
Hannibal premiered on 30 November 1942 in Paris. Bousquet died in Roubaix at the age of 52, three weeks after the
Hannibal premiere. In his obituary in
Comœdia,
Tony Aubin wrote that Bousquet's works reflected "one of the most authentic natures of our time" and displayed an "enlightened art, sober but expressive, traversed by bright lightning or bathed in noble melancholy." ==Works==