By 1940, more than forty of Sargeson's short stories had been published and he had established a significant reputation in New Zealand as a writer. That year, his story "The Making of a New Zealander" won first-equal prize in a competition held to mark New Zealand's centennial, and his second short story collection,
A Man and His Wife, was published by
Caxton Press. It received favourable reviews but was not commercially successful. In 1945, the local council informed Sargeson that the decrepit bach on his family's property had to be demolished. Sargeson had little money this time but managed to persuade his father to gift the property to him. It was as part of this legal transfer, in February 1946, that he formally changed his name by
deed poll to Frank Sargeson. In 1949, Sargeson published his first full-length novel,
I Saw in My Dream. The first part of the novel had already been published in
Penguin New Writing and as a small book by Caxton Press and Reed & Harris. Reviews were unenthusiastic and mixed in both England and New Zealand. Sargeson continued to nurture and promote New Zealand literary talent, as he had with
Speaking for Ourselves, most notably by inviting the young author and poet
Janet Frame to live in the former army hut on his property in 1955, not long after her discharge from
Seacliff Lunatic Asylum. She lived and worked in the army hut from April 1955 to July 1956, producing her first full-length novel
Owls Do Cry (Pegasus, 1957), Later, she wrote about this period in her autobiography,
An Angel at my Table. He was also a friend and mentor to other young writers such as
Maurice Duggan and
John Reece Cole. In 1953, to mark Sargeson's fiftieth birthday,
Landfall published "A Letter to Frank Sargeson", written and signed by sixteen of his fellow New Zealand writers, including Frame, Duggan,
David Ballantyne,
Bill Pearson,
Helen Lilian Shaw and others. The letter praised Sargeson for his contributions to New Zealand literature, saying that he had "proved that a New Zealander could publish work true to his own country and of a high degree of artistry, and that exile in the cultural centres of the old world was not necessary to this end", and "revealed that our manners and behaviour formed just as good a basis for enduring literature as those of any other country". In the editorial to that same issue,
Charles Brasch commented that Sargeson's birthday was more than a merely personal occasion: "By his courage and his gifts he showed that it was possible to be a writer and contrive to live, somehow, in New Zealand, and all later writers are in his debt." At this time it seemed that Sargeson's career might be over; his literary output during the 1950s had slowed, with only one novella, two short stories and a short essay, and two partially completed plays. ==Later career==