Freak-out music and movement and
Captain Beefheart (left) photographed in a 1975 concert. They have been described as" two giants of the late-60s LA freak scene" During the mid-to late 1960s, music publications used the term "freak-out music" to describe a subset of groups associated with the
Los Angeles freak scene. In September 1966, the
Los Angeles Free Press (also known as "Freep") advertised
the Mothers of Invention's next performance, stating: Another "Freak Out" performance would be scheduled for October 15 at the Earl Warren Showground in Santa Barbara, though it was cancelled according to
Frank Zappa due to a "critical acoustic problem & virtually non-existent PA". According to writer Neil Slaven in
Electric Don Quixote: The Definitive Story of Frank Zappa, one of two issues of
Freep published a "hectoring letter" by Zappa under the pseudonym "Suzy Creamcheese." In the letter, Zappa discussed his concept of "freaking out," arguing that nonconformity alone was insufficient and that freaking out was becoming an "excuse instead of a reason". He advocated for "freaking out intellectually" and that "Looking and acting eccentric IS NOT ENOUGH". On the October 12, 1966 issue of British music magazine
Record Mirror, writer Norman Jopling describes the "freak-out" movement: in the October 12, 1966 issue of British music magazine
Record Mirror, labeled "Prince of Freak Out"Joplin adds, "The music itself ranges from rock 'n' roll to near-psychodelic free form [...] The connection between Freaking Out and psychodelic music is not as strong as supposed. And the equally tenuous connection between both of them and
LSD is more of an enigma than a tie-up. The leaders of the Freak Out movement claim to have never taken LSD, Frank Zappa of the Mothers Of Invention, and the omnipresent Kim Fowley." In December 1966, British magazine
Beat Instrumental wrote a piece on freak-out music, stating: In director
Peter Jackson's 2021 documentary
The Beatles: Get Back, scenes involving the band performing "freak-out jam" sessions with
Yoko Ono are showcased during the 1969 recording sessions for
Let It Be and
Abbey Road. The term "freak-out" has been used as a musical descriptor by several sources. On October 12, 1968,
Rolling Stone magazine published an interview with
the Rolling Stones'
Mick Jagger, where he stated: "'
Have You Seen Your Mother' was like the ultimate freakout. We came to a full stop after that. I just couldn’t make it with that anymore, what more could we say." On December 25, 1966,
The New York Times published an article entitled
Shock Rock: Take Musical Satire One Step Further by journalist Robert Shelton. In the article, Shelton discussed Frank Zappa and the Mothers of Invention, while briefly discussing Zappa's liner notes for his debut album
Freak Out! (1966), "Zappa has apparently hit his mark, for he thinks that "freaking out" is an important method of expression and effecting change". That same month,
Belfast Gypsies produced by Kim Fowley released "People! Let's Freak Out / The Shadow Chasers" under the name "The Freaks of Nature". In 1967, American instrumental
surf rock band
the Ventures released the album
Guitar Freakout. That same year,
the Bonzo Dog Doo-Dah Band's album
Gorilla parodied the term "freak" in the
sleeve notes for the song "Cool Britannia", which said "Someone letta Freak-Out? What do you think Reader?" In December 1968,
Rolling Stone magazine labeled Texas psychedelic band
Red Krayola as "the original freak-out group". The band were influenced by Frank Zappa and used the phrase "
Free Form Freak-Out" on their debut album
The Parable of Arable Land. Front man and bandleader
Mayo Thompson stated in 2009: "A lot of people talked about Freakout. Then Zappa came out with his
Freak Out! record. But from what I now know about Zappa I'm sure he composed every note. Ours wasn't an image of chaos, it was chaos."'''' In 1970, music critic
Nik Cohn published the book
Awopbopaloobop alopbamboom, which briefly discussed
the Mothers of Invention's album
Freak Out! (1966): "Bearded and gross and filthy, entirely obscene, they [The Mothers of Invention]...were freaks. They were meant to be. They were playing the same old game again,
épater la bourgeoisie, but this time round it wasn't called
Dada or
Existentialism or
Beat, it was Freak-Out. 'On a personal level', wrote Zappa, 'Freaking out is a process whereby an individual casts off outmoded and restricted standards of thinking, dress and social etiquette in order to express CREATIVELY his relationship to his environment and the social structure as a whole.
Freak Out! would later be described as an early rock
concept album due to loosely being based around the
Los Angeles freak scene. In 1971, in a review of
Yoko Ono's
Yoko Ono/Plastic Ono Band for
Rolling Stone, music critic
Lester Bangs used the phrase "freak-out", stating: "It wasn't until the long freak-out on the back of the
live Toronto LP that Yoko began to show some signs that she was learning to control and direct her vocal spasms, and John finally evidenced a nascent understanding of
the Velvet Underground-type feedback discipline that would best underscore her histrionics."'''' == Freak out party ==