Box office The film opened on 522 screens in the New York,
Washington, D.C.,
Detroit and Texas areas. An advert in the following day's
Weekly Variety claimed it had grossed $3,220,348 placing it third behind
To Live and Die in L.A. and contemporary websites such as
Box Office Mojo report it grossing exactly $1 million less than the initial
Daily Variety figure, with only $2.9 million, coming in fourth place. (which New Line also reported in an advertisement), which indicates that the initial figure reported by
Daily Variety was overstated. In the US, the film eventually made $30 million on a budget of $3 million.
Critical response Critical reaction of the film was mixed upon release, with some criticism in comparison to its predecessor.
Janet Maslin of
The New York Times praised the film, saying that it has "clever special effects, a good leading performance and a villain so chatty he practically makes this a human-interest story". The review also gave the lead performances positive reviews, noting, "Mr. Patton and Miss Myers make likable teen-age heroes, and Mr. Englund actually turns Freddy into a welcome presence.
Clu Gulager and
Hope Lange have some good moments as Jesse's parents, and Marshall Bell scowls ferociously as the coach who calls his charges
dirtballs and who is eventually attacked by a demonic towel."
Variety gave the film a positive review saying, "Episodic treatment is punched up by an imaginative series of special effects. The standout is a grisly chest-burster setpiece." In a negative review,
People called the film a "tedious, humorless mess". On
review aggregator Rotten Tomatoes the film has an approval rating of 47% based on 36 reviews. The site's critics consensus reads: "An intriguing subtext of repressed sexuality gives ''Freddy's Revenge
some texture, but the Nightmare'' loses its edge in a sequel that lacks convincing performances or memorable scares." On
Metacritic the film has a weighted average score of 43 out of 100 based on six critics, indicating "mixed or average" reviews.
Homoerotic subtext Film commentators have often remarked on the film's perceived
homoerotic theme, claiming its
subtext suggests Jesse is a repressed homosexual. They note, in particular, the scenes where he encounters his gym teacher Coach Schneider at a
fetish club, and his flight to his male friend Grady's house after he attempts to make out with his girlfriend Lisa at her pool party. Further, actor Mark Patton, who plays Jesse, played a role so often written as female in the subgenre (such as in the first film) that it has become known as the "
final girl". At the time of its release, one publication referred to it as "the gayest horror film ever". In the 21st century, it has become a
cult film for gay audiences. On
Never Sleep Again: The Elm Street Legacy, David Chaskin refers to a 2009 list on
Cracked.com which lists "The 5 Most Unintentionally Gay Horror Movies", with ''Freddy's Revenge'' as number one, and states that "There is nothing logical that can explain the level of homoeroticism in this movie". The book ''Welcome to Our Nightmares: Behind the Scene with Today's Horror Actors'' elaborates on the film's homoerotic subtext, stating that: "The film suggested an undertone of homosexuality, starting with the protagonist's gender-neutral name. Jesse's rarely fully clothed. He and a tormentor have a sweaty wrestling match. His coach, clad in leather, basically hits on him in a
gay bar, then gets killed by Freddy, including a bare-ass spanking. Freddy emerges from Jesse's stomach in the same forced-birth technique that made the
Alien films legendary." Mark Patton has claimed the film's gay subtext was increasingly emphasised through script rewrites as production progressed. "It just became undeniable" he told
BuzzFeed in 2016. "I'm lying in bed and I'm a
pietà and the candles are dripping and they're bending like phalluses and white wax is dripping all over. It's like I'm the center of a [...]
bukkake video." He has felt betrayed since he knew the filmmakers were aware he was gay, but
closeted. They had considerable leverage over him in having him perform a role that, combined with his performance as a gay teen in
Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean the year before, led to him being
typecast as gay. The role called attention to what he was trying to avoid discussing and would have forestalled him getting any significant roles in 1980s Hollywood. In an article written by Brent Hartinger for
AfterElton.com, he notes that a "frequent debate in gay pop culture circles is this: Just how 'gay' was 1985's ''A Nightmare on Elm Street 2: Freddy's Revenge
(the first Elm Street
sequel)? The imagery in the movie makes it seem unmistakably gay — but the filmmakers have all along denied that that was their intention." During his interview segment for the 2010 documentary film Never Sleep Again: The Elm Street Legacy'', David Chaskin admitted that the gay themes were intentional, something he had denied until that point. In a 2020 interview director Jack Sholder said he never had any discussions with Chaskin or anybody at New Line about a gay subtext in the script during production. He did add that in his view the movie was about "repressed sexual angst that every teenager experiences" and that "that angst can express itself in the question: Am I gay?". He also pointed out that Mark Patton did not pick up on any gay subtext when he read the script, but that it was pointed out to him by one of the crew members. Sholder concluded by saying: "Looking back on it, there were a whole bunch of decisions, starting with casting Mark that really... If you look at some of the exegeses as to why it’s the gayest horror film of all time, some of it is people reading stuff into things, some of it was intentional and some of it was stuff that people added that fed into that idea." Others in the cast and crew have said that they were unaware of any such themes at the time they made the film, but that a series of creative decisions on the part of director Jack Sholder unintentionally brought Chaskin's themes to the forefront. In an interview Sholder said, "I simply didn't have the self-awareness to realize that any of this might be interpreted as gay".
Now-out Mark Patton said, "I don't think that [the character] Jesse was originally written as a gay character. I think it's something that happened along the line by serendipity". Patton also wrote ''Jesse's Lost Journal'' about Jesse's life after the film and dealing with his homosexuality. In 2019, Patton produced and starred in the documentary film
Scream, Queen! My Nightmare on Elm Street, which focuses on the legacy of ''Freddy's Revenge'' and how it affected him. ==See also==