Most of Stacpoole's plates were executed in a mixed mezzotint style (i.e.
mezzotint with some
line engraving and
stipple engraving). His work was only of reproductions, including a large number of prints after
Briton Rivière (chiefly published by Messrs. Agnew),
Thomas Faed (chiefly published by Messrs. H. Graves), and
Charles Burton Barber. He also engraved pictures by others. Among Stacpoole's successful engravings were the
Shadow of Death, after
Holman Hunt (1877), and
Pot Pourri: Rose Leaves and Lavender, after
G. D. Leslie (1881). Popular subjects were the
Palm Offering, after
Frederick Goodall (1868), and
The Roll Call, after
Elizabeth Thompson (Lady Butler) (1874). Stacpoole's first Royal Academy exhibit (1842) was an oil portrait, and he exhibited six other paintings (portrait, subject, and landscape) at the academy between 1843 and 1869, but from 1858 to 1893 his regular contributions were engravings. He also exhibited paintings at the
Society of British Artists between 1841 and 1845. Two of his earliest published engravings were after Edwin Landseer, both with other engravers:
Peace with T. L. Atkinson (1848), and the
Hunted Stag (engraved as
Mountain Torrent) with
Thomas Landseer (1850) (these both after pictures from the
Vernon collection, which went to the
National Gallery of British Art). During the last ten years of his life he again took up painting, sending five small subject pictures to the Royal Academy between 1894 and 1899. ==Family==