1985–1999 The first public performance of one of Frederik Magle's compositions took place on Easter morning 7 April 1985, in Stubbekøbing church, where a children's choir performed an Easter hymn he had composed. Two years later, in 1987, six of his hymns with texts by his mother Mimi Heinrich were performed by actress and singer Annie Birgit Garde at a concert in Lyngby church, and the same year he played on television for the first time. He began a collaboration with the violinist
Nikolaj Znaider in 1990, and they performed a series of concerts together. Later, Znaider gave the first performance of Magle's variations for violin and piano in the
Concertgebouw, Amsterdam, with the pianist
Daniel Gortler:
Journey in time describes a "kind of scenes or musical images" with the use of sharp dissonances, complicated rhythms and dramatic transitions and thematic formations. In 1993 Magle composed music for the experimental theatre performance
Der Die Das by the theatrical group
Hotel Pro Forma, directed by
Kirsten Dehlholm, which was performed at the 4th international
Dance Festival in
Munich, Germany. Other artists involved were the architect
Thomas Wiesner, sculptors Anders Krüger and Frans Jacobi, painter Tomas Lahoda, and the costume designer Annette Meyer; it was presented as a contemporary "
Gesamtkunstwerk" comprising architecture, art, music, and performance. Magle's concerto for organ and orchestra
The Infinite Second was given its first performance and recorded in 1994 at the 3rd international music festival in
Riga Cathedral,
Latvia by the Latvian Philharmonic Chamber Orchestra, conducted by Dzintars Josts, with Frederik Magle himself as organ soloist. The reviewer of
Berlingske Tidende, Steen Chr. Steensen, described the organ concerto as "a long process from darkness to light" tonally "founded in the French school of organ music". It was released on CD in 1996 along with his second symphony for organ
Let there be light which had been premiered in Riga Cathedral in 1993. The culture journalist Jakob Levinsen wrote of Magle's method of structuring the two works: The Christmas cantata
A newborn child, before eternity, God! was given its first performance in 1996, commissioned by
Kulturby 96 – the
European Capital of Culture 1996. In 1997 it was released on CD, in a recording made in Messiaskirken in
Charlottenlund by the soloists Ingibjörg Gudjonsdottir, soprano, Elisabeth Halling, alto, Gert Henning-Jensen, tenor, Christian Christiansen, bass, two mixed choirs, two children's choirs, brass band, organ and percussion, conducted by
Steen Lindholm. The cantata was described by the reviewer of
Jyllands-Posten as hard to classify, with a "religiously narrative robustness". The work sets text from a
kontakion by the 6th century hymnographer
Romanos the Melodist, translated into Danish by the theology professor Christian Thodberg, and edited by the priest Kristian Høeg. In 1995–96 Magle composed a symphonic
Lego Fantasia in three movements for piano and symphony orchestra, commissioned by
the Lego Group. It was premiered on 24 August 1997 at a concert in
St George's Chapel, Windsor Castle by the
London Philharmonic Orchestra conducted by
David Parry, with Magle himself on piano. In 1998 the same performers recorded the work for a CD released by the Lego Group. Also in 1998 he was commissioned to write a work for
Amnesty International: he composed
Flammer for Frihed (Flames for Freedom) for solo piano. The piece was printed in a book of the same title containing essays by 24 Danes (including then prime minister
Poul Nyrup Rasmussen, former prime minister
Poul Schlüter,
Tøger Seidenfaden,
Ghita Nørby, and others). Edited by
Monica Ritterband, the book was published on the 50th anniversary of the
Universal Declaration of Human Rights. On 22 November 1998 Magle's
Cantata to Saint Cecilia for soloists, choir, children's choir, and chamber orchestra was given its first performance at the
Ny Carlsberg Glyptotek in Copenhagen. The following year it was recorded and released on the album
Cæciliemusik (
Music for Saint Cecilia) by the Danish Cæciliekoret (The Cecilia Choir) conducted by Gunnar Svensson with the soloists Birgitte Ewerlöf (soprano),
Tuva Semmingsen (alto), and Jørgen Ditlevsen (bass). The cantata's text is by the author Iben Krogsdal; based on the story of
Saint Cecilia, who died in a gruesome way for her Christian faith, it has been described as "moderate
modernism" with a special "Danish tone" and a transparent chamber musical instrumentation.
The Hope was subsequently recorded and released by the
Royal Danish Navy on the album
Søværnet Ønsker God Vind (
The Royal Danish Navy Wishes Godspeed) in 2005. The Danish organ builders
Frobenius commissioned a new work by Magle for their centennial jubilee in 2009. Magle premiered the work, his Rhapsody for organ
Viva Voce, at two gala concerts on 12–14 May 2009 in
Aarhus Cathedral and Vangede church, in collaboration with
Dame Gillian Weir. -organ in
Jørlunde church In October that same year, a new
pipe organ was inaugurated in
Jørlunde church. Magle created its specifications and tonal design, after the old organ had perished in a fire five years earlier while in storage; he gave the instrument's inauguration concert on 8 November. In 2010 he released a double album of free improvisations on the Jørlunde-organ,
Like a Flame. Reviews of the album were predominantly favorable, described in MusicWeb International as "highly creative, sometimes visionary, [and] surprisingly unpompous", but a scathing review in the Danish organ magazine
ORGLET argued for traditional fugal and choral forms instead of free improvisation. One critic complained about the length of the album, finding it too long at more than two hours. The organist, jazz-pianist, and composer Henrik Sørensen defended Magle's free improvisational form in an article in Danish organ-magazine
Orgelforum. In 2011 Magle composed an
Allehelgenmesse (All Hallows Mass), intended to be performed at the
All Hallows service on the first Sunday of November, where people are invited to remember relatives who have died in the past year. Its text is by the hymn-writer Iben Krogsdal and the pastor Morten Skovsted. Funded by the Danish Ministry Ecclesiastical Affairs, the Mass was made freely available online. After a performance in
St Nicolas' Church, Rønne, a music critic described the music as "intimate" and with "finish". It was performed by Prinsens Musikkorps (The Prince of Denmark Air Force Band) and conducted by Peter Ettrup Larsen.
Works for the Danish royal family Magle played the organ at the
christening of
Prince Nikolai at
Fredensborg Castle in 1999 and gave the first performance of his composition
Lys på din vej (Light on your path) for organ and brass quintet, with the Brass Ensemble of the Royal Danish Guards, as postlude.
Lys på din vej was released on an album with the same title the following year, which received mixed reviews, being criticized especially by the newspaper
Politiken for consisting of "endless repetitions of the same melodic material without development". The piece was re-recorded in 2013 by the Brass Ensemble of the Royal Danish Guards in a new version on their album
Nordisk Musik (Nordic Music). At the christening of
Prince Felix in Møgeltønder church in 2002 another work by Frederik Magle was also premiered as postlude. Magle composed a
symphonic suite Cantabile, based on poems by
Prince Henrik of Denmark (the Prince Consort) of which the first movement "Souffle le vent" was first performed in 2004, and the remaining two movements "Cortège & Danse Macabre" and "Carillon", in June 2009 in the
Koncerthuset (Copenhagen), on both occasions by the
Danish National Symphony Orchestra conducted by
Thomas Dausgaard. The score specifies a real giraffe thigh bone as a percussion instrument in the "Cortège & Danse Macabre" movement. In 2020 Frederik Magle composed the
Fanfare for The Royal Danish Orchestra (
Det Kongelige Kapels Fanfare) for the
Royal Danish Orchestra, commissioned by the
Royal Danish Theatre on the occasion of queen
Margrethe II's 80th birthday. The fanfare was originally planned to be premiered at a gala concert at the Royal Danish Theatre's Old Stage, but due to the
corona-lockdown the music was instead recorded by the musicians individually in their own homes and subsequently edited and presented to the queen On June 7 the same year the fanfare received its live premiere, conducted by Thomas Søndergaard at the re-opening of the Royal Danish Theatre. The fanfare was described as "a rousing ceremonial piece" in ''Gramophone magazine's'' review of the concert.
Fusion/crossover Magle's first CD,
Sangen er et eventyr – Sange over H.C. Andersens eventyr (The song is a fairytale – Songs based on fairytales by
Hans Christian Andersen), of 1994 was recorded with the jazz double bassist
Niels-Henning Ørsted Pedersen, the jazz-pianist
Niels Lan Doky, the percussionist
Alex Riel,
Trio Rococo, and vocalist
Thomas Eje. He also participated on the 2005 avant garde album
Hymn to Sophia by the jazz saxophonist
John Tchicai, where he improvised on pipe organ with Tchicai and the percussionist Peter Ole Jørgensen. In 2011 Magle composed symphonic music for the album
Elektra by the Danish hip hop group
Suspekt.
Emil Simonsen from Suspekt characterised Magle's contribution as "essential for the development of the new album", and described Frederik Magle as "one of the greatest musical sources of inspiration" the group had worked with. The collaboration received positive reviews in the Danish press, with
Jyllands-Posten calling the track "Nyt Pas" from
Elektra "glowing orchestral hip hop with mature ambitions", and the music magazine
Gaffa describing the contrasts between Frederik Magle's classical compositions and ''Suspekt's'' hip hop as "extreme opposites that helped to make the evening special" in their review of the release concert in
Koncerthuset, September 2011. The orchestral music was recorded by the
Czech Film Orchestra in the
Rudolfinum Concert Hall,
Prague. ==List of works==