Although the A-weighting curve, in widespread use for
noise measurement, is said to have been based on the 40-phon Fletcher-Munson curve, research in the 1960s demonstrated that determinations of equal-loudness made using pure tones are not directly relevant to our perception of noise. This is because the cochlea in our inner ear analyses sounds in terms of spectral content, each
hair cell responding to a narrow band of frequencies known as a critical band. The high-frequency bands are wider in absolute terms than the low-frequency bands, and therefore 'collect' proportionately more power from a noise source. However, when more than one critical band is stimulated, the outputs of the various bands are summed by
the brain to produce an impression of loudness. For these reasons equal-loudness curves derived using noise bands show an upwards tilt above 1 kHz and a downward tilt below 1 kHz when compared to the curves derived using pure tones. This enhanced sensitivity to noise in the region of 6 kHz became particularly apparent in the late 1960s with the introduction of
compact cassette recorders and
Dolby-B noise reduction. A-weighted noise measurements were found to give misleading results because they did not give sufficient prominence to the 6 kHz region where the noise reduction was having greatest effect, and did not sufficiently attenuate noise around 10 kHz and above (a particular example is with the 19 kHz
pilot tone on FM radio systems which, though usually inaudible, is not sufficiently attenuated by A-weighting, so that sometimes one piece of equipment would even measure worse than another and yet sound better, because of differing spectral content.
ITU-R 468 noise weighting was therefore developed to more accurately reflect the subjective loudness of all types of noise, as opposed to tones. This curve, which came out of work done by the
BBC Research Department, and was standardised by the
CCIR and later adopted by multiple other standards bodies (
IEC,
BSI) and, , is maintained by the ITU. It became widely used in Europe, especially in broadcasting, and was adopted by
Dolby Laboratories who realised its superior validity for their purposes when measuring noise on film soundtracks and compact cassette systems. Its advantages over A-weighting are less accepted in the US, where the use of A-weighting still predominates. It is used by broadcasters in Britain, Europe, and former countries of the British Empire such as Australia and South Africa. == Function realisation of some common weightings ==