In addition to being recognized for his dancing through many prestigious dance awards, Vogel was named "Outstanding Dancer" by the critics in the
Ballettanz magazine in 2005 and 2009, as well as "Dancer of the Year" in 2010 and 2019 by the prestigious industry magazine
Tanz, which described him as "a world star who never lost the ground beneath his feet... now at the top of his game". The
Dance Europe magazine named Vogel "Outstanding Dancer" in 2010,
Danza&Danza magazine named him "Best Male Dancer" in 2011 and he was given the award of "Best Male Dancer" by the
Positano Premio la Danza – Leonide Massine in 2012. John Cranko's
Onegin ("the most elegant & elegiac Onegin of all time" – Suedwest Presse). Ballet2000 further praised the superlative dancer for "allying physical and technical control with a deep, sensitive artistry". For his 20th anniversary with the Stuttgart Ballet in 2019, Stuttgarter Zeitung interviewed Vogel, who "conquered the world of ballet from Stuttgart". Vogel's collaboration with Rome Opera Ballet and Christian Dior in Italy and worldwide, as part of the lead couple in the new ballet
Nuit Blanche choreographed by Sébastien Bertaud, and wearing a costume specially designed for him by Dior's artistic director Maria Grazia Chiuri. "Fascinating Movement" – the Inspired by Porsche campaign that Vogel launched in May 2019 – was named "Creation of the Day" by leading German marketing & media journal W&V. In 2020, in response to the global COVID-19 pandemic, Vogel taught a voluntary virtual ballet improvisation class with choreographer Sébastien Bertaud as part of the "Dior & Dance" initiative, to encourage dancers to keep up with their training from home and to offer the public a glimpse of the daily life of professional dancers. The video received much positive response from the dance sector, and has been publicised online widely by fashion and lifestyle magazines from around the world. The
British Theatre Guide singled out Vogel as the "standout one" and that he "soars like a bird" in his
Tristesse performance. He was also lauded by Debra Craine of
The Times for his performance in
Tristesse: "All performers were outstanding, but Vogel in particular lifted Tristesse on to another plane with the sheer beauty and heart of his dancing." A
New York Times dance reviewer named Vogel as a "handsome, appealing, tall dancer whom I hope New York comes to know better" for his performance in
Marguerite and Armand. Several dance blogs have also praised Vogel:
Dancetabs commended Vogel for being a "beautiful, lyrical, light, clean dancer" and that the
pas de deux was a "poignant moment" in
Tristesse.
Artmeme praised Vogel for his "noteworthy and outstanding presence on stage" and called him an "exquisite German dancer". His performances as Des Grieux in Kenneth MacMillan's
Manon together with Eleonora Abbagnato and Rome Opera Ballet were highly anticipated and celebrated by both public and press. Italian newspapers applauded Friedemann Vogel for being an "extraordinary performer": "His heart meets that of the young Des Grieux: marvelous in the first solo, Friedemann Vogel is here (...) a dancer with a crystalline technique and an elegant gesture, a poet in love capable of suspending time in poses with perfect aplomb and twirling with velvety." Italian TV coverage of his guest performances show the great reception Vogel has received for his interpretation. Amongst the 40 international ballet stars participating in the 15th World Ballet Festival in Japan, Friedemann Vogel was the only one invited to be interviewed by Japanese TV Channel NHK on the programme "Gogo Nama" to promote the event, a testament to the great popularity he enjoys in Asia and especially in Japan. Vogel was also voted one of the most popular ballet dancers in Japan in 2019 by the audience survey of Dance Magazine Japan. Vogel continues to gain the attention of international dance, travel and fashion media in Germany, Italy, Japan, Korea, United States of America, United Kingdom, Taiwan, Hong Kong, and France. == List of ballets/roles performed ==