Hancock reunited with producer/bassist
Bill Laswell, who had co-produced
Future Shock (noted for the song "
Rockit"). In contrast to their previous productions,
Future 2 Future is more
electronica oriented. Hancock plays conservatively, holding to chords and sweeps. The more intricate sounds on each track are the beats (whether played on a drum kit or electronically generated) and the use of turntables. Besides
Grandmixer DXT, who played an eminent role in the aforementioned 1980s productions, heard here on "The Essence" (which also features
Chaka Khan on vocals and was lifted as single), the artists from the electronica club scene are
Detroit techno pioneer
Carl Craig,
A Guy Called Gerald, a
jungle and
drum and bass protagonist, and another turntablist,
Rob Swift. On the 'jazz side' there are contributions by long-time collaborators saxophonist
Wayne Shorter and drummer
Jack DeJohnette, as well as bassist
Charnett Moffett. There is also a drum track by the late
Tony Williams on a composition that carries his name in tribute, accompanied by a static bass guitar line by Laswell, soprano saxophone from Wayne Shorter and spoken poetry by Dana Bryant. Laswell brought in Ethiopian singer
Gigi (and his wife) for some tracks. Another song features jazz singer
Imani Uzuri. The last track, "Virtual Hornets", refers to a composition from the last album of Hancock's ‘Mwandishi’ band,
Sextant, in which Hancock recreates the original sound of the initial buzzing
ARP synthesizer motif. After releasing the album, Hancock formed a band (with
Terri Lyne Carrington,
Wallace Roney and others) that took the tracks on tour, and a film of the tour's stop at the
Knitting Factory in
Hollywood was made and released on DVD as
Future 2 Future Live. The concert video features also live versions of his best-known songs "
Dolphin Dance", "Butterfly", "Rockit" and "
Chameleon." For the coupled-out song "The Essence", a driving
drum and bass track that features Chaka Khan on vocals, several remixes were produced by
DJ Krush,
LTJ Bukem, and Joe Claussell. They were released on separate 12" EPs, combined with the original version, sometimes with the addition of "This Is Rob Swift."
Future 2 Future and the EP output are the only productions Hancock released on Transparent Music, a label he created in the late 1990s with Chuck Mitchell (once president of
Verve Records) and David Passick (Hancock's manager). ==Critical reception==