Nkosi's work explored her identity as a black South African women, daughter and mother. She was also interested in how art could be used as therapy and healing, especially for women who had been abused through
domestic violence, which was sponsored by
Artists for Human Rights. Her piece was displayed at the main entrance and exit to Umlazi. The image was controversial as it challenged the cultural beliefs that it was immoral for young women to education elder men whilst also broaching the taboo around HIV/AIDs. In 2003, Nkosi was artist in residence at the
McColl Center,
Charlotte, North Carolina, who stated that "her expressive and haunting prints and paintings form a powerful narrative about apartheid and domestic life and community in her native South Africa that resonate across physical and cultural borders." In 2007, Nkosi was selected to run a creativity workshop at the
Oprah Winfrey Leadership Academy for Girls in
Johannesburg. She was also invited to exhibit in England as part of the celebrations commemorating the 200th university of the
abolition of slavery.
Ukwelapha: Healing, her last exhibition, was mounted at the African Art Centre in 2007. == Death ==