Constantly concerned with his home country's issues, El-Sagini featured Egypt in most of his works expressing hope, encouragement, disappointment or just pure unconditional love. Introducing symbolism in Egyptian sculpture, El-Sagini used different symbols of Egypt during times of joy, despair, victory and defeat. In the period 1952-1967, following the
Egyptian revolution of 1952, Egypt played a leading role in the Arab world under the leadership of Egyptian president and revolutionary icon
Gamal Abdel Nasser. The Egyptian revolution was a spark that triggered what turned out to be a series of independence revolutions in the Arab world. In his statue
"Egypt My Mother Land" (Bronze- 40x30x 10 cm-1957) El-Sagini symbolized Egypt as the giving mother of the entire Arab world featuring a mother breastfeeding her infants while holding over her shoulders symbols of prosperity (wheat stem), development (bricks Built) and culture (book). As a result of the
Six-Day War 1967 and the nationwide feeling of frustration and despair, El-Sagini often featured Egypt in his paintings of that period as a candy doll – a famous symbol in Egyptian carnivals– that is crippled, tortured or even hanged. Following the
Yom Kippur War 1973 and the blood pumping again into Egypt's and the whole Arab world's veins, El-Sagini pictured Egypt as a beautiful woman with strong facial features in two of his most expressive statues of that era in Egypt's modern history, In his statue
"The Great Crossing of The Suez Canal" (Bronze- 33x127x 38 cm-1973) El-Sagini pictures the Egyptian soldiers in a ship –Egypt– rowing relentlessly to cross the Suez Canal. El Sagini's second statue
"Egypt, The Future" (Bronze- 90x80x 30 cm-1975) features a woman –Egypt– standing proudly in an expressive position that shows strength, hope and determination towards a better future. ==The River Nile==