Anderson briefly dabbled in
Christian Science. he became aware of psychology and read a book on
New Thought, which impressed him. Anderson received tickets and the whereabouts of his first wife are unknown. Anderson headed the household of his brother's widow and her four children. He was connected with
Al Jolson, who supported the play's early development and his move to New York City in 1924. and noted as vice-president of San Francisco's
NAACP chapter, appeared in New York with his attorney in November. By Christmas, Anderson reported a leave of absence from the Braeburn Apartments Hotel He stayed at the
Harlem YMCA. Anderson made the rounds of newspapers, who took him at his word. Although audience members were reportedly moved to tears, the reading earned only $140. and a free reading at the
Manhattan Opera House When funding still lagged, Anderson went to see President
Calvin Coolidge (another car held his supporters) in early September and appeared on
WHN several weeks later, receiving a positive review.
Appearances previewed in
Elmira, New York, on September 26 and
Utica on the 27th, opening at the Frolic Theater (atop the
New Amsterdam Theatre) in New York on October 13.
Lionel Monagas and
Mildred Wall, who worked into the 1940s, played the leads. The play received a standing ovation on opening night The first week's gross was less than $2,000, it was the first full-length play written by a black man produced on Broadway Anderson appeared on
WHN near the end of October, and spoke at a Harlem school community meeting in early November. He attempted to revive the play in late November, with attention from
David Belasco and investors from Texas. and appeared on
WNYC. The revival continued for a few more weeks, thanks to the unexpected contributors from Texas. two weeks later there was favorable critical publicity, and he spoke at another church. However, the revival closed in mid-January 1926. and in May he was in Los Angeles exploring movie rights and future productions of
Appearances.
West Coast In June 1926, Anderson was still in Los Angeles trying to market
Appearances film rights to fund another production and spoke at an NAACP fundraiser. In April 1927 a new production, produced by
Thomas Wilkes and directed by
Virginia Brissac, opened at the
Majestic Theatre. According to Anderson,
Appearances ran for five weeks in Los Angeles.
Appearances then went on tour, reportedly opening on March 19 Audience members played jurors for the play's trial, and response was so great that the entire audience was framed as jurors. several days later in
Bismarck, North Dakota (receiving a positive review), followed by Minneapolis (again receiving a positive review). It reached
Des Moines, Iowa in December, In January 1929 Anderson was in Chicago, received positively but in financial difficulty which was resolved in February with nine weeks of performances. In mid-March Anderson gave a talk in New York, and
Appearances returned to the city in April to negative reviews. A claim by another writer that he had written part of
Appearances underwent arbitration by the
Authors League of America, and Anderson received sole credit for the play. In 1929, Anderson sold a work entitled
Extortion to David Belasco. after 23 performances. Anderson wrote another play, which was not produced.
Appearances was staged in March, touring Wales, Scotland, Brussels and Paris. Anderson remained in London, presenting "tea talks" at the Mayfair Hotel.
Analysis and commentary Appearances was reprinted in 1996, and the play is solely about the murder of a white woman. Its impact has been summarized: Because no New York critic complained about black and white actors appearing together on stage, within four months of the opening of Anderson's most notable play, Belasco produced Lulu Belle (1926), with ninety-seven black actors and seventeen white actors. Hence the production of
Appearances marked the beginning of an integrated Broadway stage. ==Speaking tours==