During the 18th century Dughet's work became especially popular amongst British collectors, to such an extent that his name became attached to almost any classical landscape, and his style proved influential on British landscape painting and garden design. His
Sacrifice of Abraham, once the property of the
Colonna family, is now, with other of his works, in the
National Gallery, London.
Thomas Gainsborough and
John Constable were inspired by Dughet and recommended him as a model. His pupils included
Crescenzio Onofri (1634–1712/14), Jacques de Rooster (
fl. late 17th century) and
Jan Frans van Bloemen (1662–1749). ==References==