Noted director
Werner Herzog pledged that he would eat the shoe he was wearing if Morris's film on this improbable subject was completed and shown in a public theater. When the film was released, Herzog lived up to his wager and the consumption of his footwear was made into the short film
Werner Herzog Eats His Shoe. At a seminar at the
Telluride Film Festival, Herzog praised
Gates of Heaven as "a very, very fine film, and it was made with no money, only guts." Morris recalls showing a rough cut of the movie to
Wim Wenders, who called it a masterpiece. It also aired as an episode of
P.O.V. In an interview on the Criterion DVD, Morris recalls that he showed
Gates of Heaven to
Douglas Sirk at the
Berlin Film Festival. Sirk warned Morris that "There's a danger that somebody might find this movie to be ironic." People are often unsure of the film's tone: is it sincere or satirical? Morris says he "loves the absurd" and that "to love the absurdity of people is not to ridicule them, it's to embrace, on some level, how desperate life is for each and every one of us, including me."
Gates of Heaven launched Morris's career and is now considered a classic. In 1991, film critic
Roger Ebert named it one of the ten best films ever made in his list for the
Sight & Sound poll. Ebert's television partner
Gene Siskel shared his enthusiasm for the film. Ebert wrote that the film is an "underground legend," and in 1997 put it in his list of
The Great Movies. Ebert wrote that
Gates of Heaven "is surrounded by layer upon layer of comedy, pathos, irony, and human nature. I have seen this film perhaps 30 times, and am still not anywhere near the bottom of it: All I know is, it's about a lot more than pet cemeteries." == Home media ==