In 2014 Gauz published his debut novel
Debout-Payé, a satire of France's colonial legacy, racism and capitalism as seen through the eyes of three undocumented Ivorian security guards in Paris from the 1970s through the early 2000s. Later that year, the novel was the inaugural winner of the newly established
Gibert Joseph Booksellers' Prize. In 2022 it was published in English as
Standing Heavy and shortlisted for the
International Booker Prize in 2023. The title references the low-wage jobs that require people to stand for many hours. In
Camarade Papa, published in 2018 and winner of the
Grand prix littéraire d'Afrique noire that year, Along with other African literary figures, Gauz would then spearhead the Front de Libération des Classiques Africains (FLCA), an initiative that aims to establish a fund to buy back the African rights of francophone African literary classics that are held by French publishers such as
Plon,
Seuil and
Hachette. In 2024 he published
Portes (Doors), his fifth novel, inspired by the 1996 occupation of the church of Saint-Bernard in Paris by undocumented African immigrants. It is the final installment of his "trilogy of papers," comprising
Standing Heavy and
Black Manoo, all which take place in the northeastern African immigrant communities of Paris. In addition to his literary career, Gauz has been active in the film and television sector. After directing several short documentary films,
Parole(s) de Fana (2005) and
Quand Sankara....(2006), he co-wrote his first feature film screenplay for
Beyond the Ocean, a 2006 French film directed by Éliane de Latour about two Ivorian friends who seek better fortune in Europe. ==Published work==