Steingo joined the faculty at Princeton University as an assistant professor of music. His research examines music and sound as fundamental aspects of global modernity, addressing themes such as interspecies communication, the politics of representation, and the aesthetics of freedom. He employs a multidisciplinary methodology, integrating theory, history, and ethnography. Steingo's first book,
Kwaito’s Promise: Music and the Aesthetics of Freedom in South Africa (University of Chicago Press, 2016), investigates
Kwaito and how South African musicians engage with concepts such as democracy and freedom. The book received the Alan P. Merriam Prize in 2017 for its contributions to the field of ethnomusicology. His second book,
Interspecies Communication: Sound and Music Beyond Humanity, explores human efforts to communicate with non-human species and the broader implications for language, beauty, and spirituality. == Selected works ==