Gending Sriwijaya

The word of ' derived from the word in which refers to the used in — the classical music and performance practice, it is later adapted in Malay and Indonesian languages which means "the song (of )". While the word of ' refers to the empire of Srivijaya that once ruled the Maritime Southeast Asia, which the capital took place in present-day Palembang, South Sumatra, Indonesia. Thus, the can be roughly translated as "the performance of Srivijaya", which in fact, this performance (music, song, and dance) mainly tells or invokes the splendor of Srivijaya empire. == History ==

Srwijaya Gending Dance began to be created since 1943 and was completed in 1944. This dance was created to fulfill the request of the government (Japanese occupation era) to the Information Bureau (Hatching) to create a dance and song to welcome guests who came to visit the Palembang Residency (now Province South Sumatra). The creator of the dance motion (dance stylist), namely Tina Haji Gong and Sukadan A. Rozak, various concepts are sought and collected by taking elements of the existing Palembang traditional dance. While Sriwijaya's music or songs were created in 1943, precisely from October to December, by A. Dahlan Muhabat, a composer who also played the violin in the Berlian Bintang aristocratic group in Palembang. The song Gending Sriwijaya, is a combination of Sriwijaya Jaya's song, which was created by A. Dahlan M with the concept of Japanese songs. And for the song Poetry Gending Sriwijaya, it was created by Nungcik AR. Sriwijaya Gending Dance is a guest welcoming dance from South Sumatra such as the Betel Dance. == Gending Sriwijaya song lyrics ==

The first stanza is the original lyrics of the song, while the second stanza was added later. == Gending Sriwijaya dance ==

-clad Aesan Gede costume, worn by prime lady in Gending Sriwijaya dance performance. The Gending Sriwijaya dance is an Indonesian traditional dance from Palembang performed to honor and welcome the visiting special guests. The dance is often performed during state ceremonies, luncheons, dinner party or receptions, in front of the state's VIP guests, such as the head of state, president, king, queen and royal guests, minister and ambassador. For example, the Gending Sriwijaya dance was performed during annual Festival Sriwijaya in Palembang. The dance is based on the simpler Tanggai dance, and believed as the reenactment and recreation of the original welcoming ceremony commonly found in traditional Malay courts in the region, which demonstrate the Sekapur Sirih (bersirih or menginang) ceremony that offering the honored guests the betel leaf, areca nut and slaked lime. The dance is believed to be originated from the court of Srivijaya, and presented to describe the host's welcoming hospitality, friendliness, happiness, and sincerity, as well as to demonstrate the beauty, gracefulness and cultured refinement of Srivijayan court. The dance is performed by nine young and beautiful women, wearing glittering songket-clad traditional costumes called Aesan Gede, completed with Selendang Mantri, Paksangkong and Dodot, and also wearing Tanggai gilded jewelry. It is believed that the dance costume combine various cultural influences, notably Malay, Javanese and Chinese elements. These women represent the princesses of Srivijaya, and are guarded by two Pengawal male dancers holding yellow parasols and gilded spears. In the background, a singer would sing the Gending Sriwijaya song during the dance performance, accompanied with gamelan and gongs musical ensemble. Today however, the live singer is often replaced by playing taped recorded music. The simpler version is usually performed without male guardians. Among the nine female dancers, there is one main dancer that wears the most complete and elaborated jewelries and costume, and acts as the prime lady. In the dance choreography, the prime lady would be the center and the foremost dancer. She holds tepak container as the props of Sekapur Sirih ceremony, and presents betel leaf, areca nut, and slaked lime for the honored guest to enjoy. On her sides, two other female dancers bring pridon, the brass containers traditionally used as spit container after the guests chew the betel nut. Today, however, the honored guest is not required to actually chew and spit out the betel nut, just the simple gesture of receiving or touching the tepak or pekinangan props would be enough. The Sekapur Sirih ceremony originally was only performed by king's daughter, the princess of Srivijaya, accompanied by other princesses, noble young women, and dayang (ladies in waiting). ==See also==