King offered his support to the band and paid them £40 to record four songs. He pressed for more simple arrangements, but maintained that his suggestion for the group to avoid playing electric instruments was because acoustic instruments were cheaper, rather than his personal taste. These early sessions took place between August and December 1967 at Regent Sound Studios on
Denmark Street, London, with the intent on releasing them as singles. The four tracks put down were new arrangements of "She's Beautiful" and "Try a Little Sadness", with "Where the Sour Turns to Sweet" and "The Image Blown Out", the latter ultimately rejected from the album. King noticed the band's tendency to expand and complicate their arrangements, which he disliked and suggested they stick to straightforward pop songs. This culminated in King either trimming Banks's solo spots or removing them entirely, much to his annoyance. King later explained that because Genesis were still learning to play their instruments, he felt that they were not ready to take on longer works yet. In response, Gabriel and Banks wrote "
The Silent Sun" as a pastiche of the
Bee Gees, one of King's favourite bands, though King later claimed the Bee Gees pastiche description was inaccurate. The song was recorded at Regent Sound studio A in December 1967, with a section arranged and conducted by
Arthur Greenslade added later in production. King came up with the group's name, thinking it marked the beginning of a "new sound and a new feeling", and that it was the true start of his career as a producer. and the album was put together in ten. King was the producer, and brought in Brian Roberts and former Charterhouse pupil
Tom Allom as recording engineers. The sessions involved two four-track recording machines, and marked Banks's first time playing an organ. The material put down, Greenslade and Lou Warburton then added more string and horn arrangements to one stereo channel while mixing the band's performance on the other. This was done without the band's knowledge, which they thought compromised the strength of the songs. Phillips was particularly angered at the decision and was the only member to express his feelings towards it by stomping out of the studio on the last day. In a 2011 interview he said that in retrospect he understood why King thought the recordings needed the extra instrumentation, and explained that the problem was that due to the limitations of recording technology of the time, adding orchestration meant that everything else on the recording had to be reduced to
mono. ==Release ==