The Genesis uses a 12.4 megapixel CCD chip, arranged in a 5760x2160 horizontally RGB filtered array. The resolution is resampled by
pixel binning to a final output pixel resolution of 1920x1080. The chip has a 16:9 (1.78:1) aspect ratio, similar in size to
Super 35 3-Perf film. The CCD active area is .930 in. x .523 in. This is a significant breakthrough in that it allows just about any Panavision spherical 35 mm cine lens to be used. The main imaging module of the Genesis is made by
Sony, but the exact relationship between the two companies is unclear, since their joint partnership was dissolved in 2004 with Panavision's re-purchase of the 8% shareholding Sony bought in 2000. The Genesis can record in a custom
Panalog color space, using a
log tone-curve to preserve highlight detail that would be lost with typical video
gamma correction. The calibration differs from the
Cineon log format used for film post-production. Panavision uses the Sony HDVF-C30W TFT color LCD viewfinder (960x540 pixels), which is compatible with both the CineAlta and the Genesis cameras. A Digital cinema camera competitor to the Genesis, the
D-20, incorporates a
reflex optical viewfinder to address this concern. Other similar HD-resolution cameras are the Sony F35, ARRI Alexa, and RedOne. The last major studio film to use the Panavision Genesis was the 2012 comedy
Ted. Due to lack of demand, Panavision discontinued the Genesis in 2012 and began renting newer cameras such as the
Arri Alexa, Sony
Cinealta, and
Red Digital Cinema cameras, while continuing to develop their own next generation digital camera. In 2016, Panavision introduced the Millennium DXL, based on the Red 8K Weapon, followed by a number of additional models like the DXL2 in 2018. ==Filmography==