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Georges Didi-Huberman

Georges Didi-Huberman FBA is a French philosopher and art historian.

Biography
Georges Didi-Huberman was born on 13 June 1953 in Saint-Étienne, into a Sephardic family from Tunisia on his father's side and Ashkenazi Polish heritage on his mother's side.{{cite web|title=POUR NE PAS CESSER D'OUVRIR LES YEUX ==Honours==
Honours
He is the 2015 recipient of the Adorno Prize. In July 2017, Didi-Huberman was elected a Corresponding Fellow of the British Academy (FBA), the United Kingdom's national academy for the humanities and social sciences. • 2025: Pour le Mérite for Sciences and Arts == Published work ==
Published work
Invention de l’hystérie. Charcot et l’Iconographie photographique de la Salpêtrière, sur l'École de la Salpêtrière, Macula, 1982 (translated into English as Invention of Hysteria: Charcot and the Photographic Iconography of the Salpêtrière, MIT Press, 2004). • Mémorandum de la peste. Le fléau d’imaginer, Christian Bourgois, 1983. • La Peinture incarnée followed by ''Chef-d'œuvre inconnu'' de Balzac, Minuit, 1985. • Fra Angelico. Dissemblance et figuration, Flammarion, 1990 (translated into English as Fra Angelico: Dissemblance and Figuration, Univ. of Chicago Press, 1995). • ''Devant l’image. Questions posées aux fins d'une histoire de l'art, Minuit, 1990 (translated into English as Confronting Images: Questioning the Ends of a Certain History of Art'', Penn State Univ. Press, 2004). • Ce que nous voyons, ce qui nous regarde, Minuit, 1992. • Le Cube et le visage. Autour d’une sculpture d’Alberto Giacometti Macula, 1992 (translated into English as The Cube and the Face: Around a Sculpture by Alberto Giacometti, Diaphanes, 2015). • ''L'Empreinte du ciel, présentation des Caprices de la foudre'', Éditions Antigone, 1994. • La Ressemblance informe, ou Le gai savoir visuel selon Georges Bataille, Macula, 1995. • ''Phasmes. Essais sur l'apparition'', Minuit 1998. • L’Étoilement, sur Simon Hantaï, Minuit, 1998. • La Demeure, la souche, sur Pascal Convert, Minuit, 1999. • Ouvrir Vénus. Nudité, rêve, cruauté, Gallimard, 1999. • Devant le temps, Minuit, 2000. • Être crâne, sur Giuseppe Penone, Minuit, 2000 (translated into English as Being a Skull: Site, Contact, Thought, Sculpture, Univocal Publishing, 2016). • L’Homme qui marchait dans la couleur, sur James Turrell, Minuit, 2001 (translated into English as The Man Who Walked in Color, Univocal Publishing, 2017). • Génie du non-lieu, sur Claudio Parmiggiani, Minuit, 2001. • L’Image survivante, Minuit, 2002 (translated into English as The Surviving Image: Phantoms of Time and Time of Phantoms, Penn State Univ. Press, 2016). • Ninfa moderna. Essai sur le drapé tombé, Gallimard, 2002. • Images malgré tout, Minuit, 2004 (translated into English as Images in Spite of All: Four Photographs from Auschwitz, Univ. of Chicago Press, 2012). • Gestes d’air et de pierre, Minuit, 2005. • Le Danseur des solitudes, sur Israel Galván, Minuit, 2006. • ''L'Image ouverte. Motifs de l'incarnation dans les arts visuels'', Gallimard, 2007. • La Ressemblance par contact, Minuit, 2008. • ''L'Œil de l'histoire – Tome 1 : Quand les images prennent position, Minuit, 2009 (translated into English as The Eye of History: When Images Take Positions'', MIT Press, 2018). • Survivance des lucioles, Minuit, 2009 (translated into English as Survival of the Fireflies, Univ. of Minnesota Press, 2018). • ''L'Œil de l'histoire – Tome 2 : Remontages du temps subi'', Minuit, 2010. • ''L’Œil de l'Histoire – Tome 3 : Atlas ou le gai savoir inquiet, Minuit, 2011 (translated into English as Atlas, or the Anxious Gay Science'', Univ. of Chicago Press, 2018). • Écorces, Minuit, 2011 (translated into English as Bark, MIT Press, 2017). • ''L'Œil de l'histoire – Tome 4 : Peuples exposés, peuples figurants'', Minuit, 2012. • Essayer voir, Minuit, 2014, . == Notes and references ==
Notes and references
• Revue Nunc numéro 26, février 2012 – Cahier G. Didi-Huberman dirigé par Jérôme de Gramont – Editions de Corlevour == External links ==
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