Operas '''
The Intelligence Park (1981–8)''' Libretto by Vincent Deane, was commissioned by the London Institute of Contemporary Arts and premiered at the 1990 Ameida Opera Festival staged by David Fielding, broadcast on
BBC Radio 3 and recorded on
NMC Recordings. It was subsequently seen at Dublin’s Gate Theatre, The Irish Museum of Modern Art and in a new staging by Nigel Lowery at the
Royal Opera House Linbury Theatre in 2019. The libretto was translated into German by Harald Beck. '''
The Triumph of Beauty and Deceit (1991–92)''' With a libretto by
Meredith Oakes, it was commissioned by
Channel 4 Television with the Composers Ensemble conducted by Diego Masson. It was staged at the 2002
Aldeburgh Festival by Nigel Lowery, conducted by
Thomas Adès, and toured to the London Almeida Festival and the Berliner Festwochen. Concert performances followed with the
Los Angeles Philharmonic and the
Birmingham Contemporary Music Group in New York and in
Radio France, Paris. In 2013 it was staged at the Badisches Staatsthater Karlsruhe by Sam Brown. '''
The Bitter Tears of Petra von Kant (2001-4)''' To the text by
Rainer Werner Fassbinder, the opera received its first staging in 2005 at
English National Opera directed by
Richard Jones and was revived in 2007 at
Theater Basel. It was done in concert in 2005 by the NSO in Dublin. Acts 1, 3 and 4 were the basis of Barry’s Piano Concerto commissioned by
Musica Viva,
Munich, and performed by
Nicholas Hodges and the
Bavarian Radio Symphony Orchestra under
Peter Rundel. In 2022 the
Berlin Philharmonic commissioned a version of Act 2 as a
Double Bass concerto played by Matthew McDonald and conducted by
John Storgards. '''
La Plus Forte (2007)''' To the text by Strindberg, this one-woman opera was commissioned by
Radio France for the 2007 Festival Présence in
Paris and sung by
Barbara Hannigan with the
CBSO conducted by
Thomas Adès. It was subsequently done in
Miami,
Dublin,
London,
Toronto,
Amsterdam and
Porvoo. The English language version was premiered in 2019 in Amsterdam by
Kerstin Avemo and The
Concertgebouw Orchestra with
Thomas Adès. It will be recorded by the
BBC Concert Orchestra in 2024 at
Alexandra Palace,
London, and semi-staged at
Nouvel Opéra Fribourg in 2024 with Alison Scherzer, soprano, and conducted by Jerome Kuhn. '''
The Importance of Being Earnest (2010)''' To a libretto by Gerald Barry based on
Oscar Wilde’s text, it was commissioned by the
Los Angeles Philharmonic and the
Barbican. After concert performances with
Thomas Adès in Los Angeles, London and Birmingham, it was staged at Opéra Nationale de Lorraine-Nancy by Sam Brown and broadcast on France Musique, in Belfast and Dublin by Northern Irish Opera and
Irish National Opera staged by Antony McDonald, at Nouvel Opéra Fribourg and Théâtre de L’Athénée, Paris, by Julien Chavaz, conducted by Jerome Kuhn, and the
Royal Opera House Linbury Theatre by Ramin Gray. This production travelled to the
Lincoln Center, New York, with the
New York Philharmonic and
Ilan Volkov. It was awarded the
Royal Philharmonic Society Prize for Large-Scale Composition in 2013. The
NMC recording was nominated for a
Grammy Award. '''''
Alice's Adventures Under Ground (2014/15)' To a libretto by Gerald Barry based on the
Lewis Carroll text, Alice was commissioned by the
Los Angeles Philharmonic, the
Barbican Centre and
Britten Sinfonia. It was performed in concert in Los Angeles, London and Dublin, and received its world premiere staging by
Antony McDonald at the
Royal Opera House, Covent Garden, in 2020, conducted by
Thomas Adés and Finnegan Downy Dear. This staging was filmed by the Irish National Opera and released on
Signum Classics, with the Irish Chamber Orchestra conducted by
Andre de Ridder. It was staged at
Theater Magdeburg in 2022 by Julien Chavaz and conducted by Jerome Kuhn.
Salome (2017) To a libretto by Gerald Barry based on
Oscar Wilde's text, it was commissioned by the
Los Angeles Philharmonic,
Nederlandse Publieke Omroep, and
Southbank Centre London. The LA premiere was postponed because of COVID-19 and it is planned to be performed in Los Angeles by the
Los Angeles Philharmonic and
Thomas Adés in 2026. World-premiere was staged by Julien Chavaz with Magdeburgische Philharmonie conducted by Jerome Kuhn, featuring Alison Scherzer as Salome and
Timur Bekbosunov as King at
Theater Magdeburg in 2025.
Selected other works •
Things that Gain by Being Painted for soprano, speaker, cello and piano (1977) •
Things That Gain for piano (1977) • '_____' for ensemble (1979) • ø for 2 pianos (1979) •
Kitty Lie Over Across From The Wall for piano and orchestra (1979) •
Sur les Pointes for piano (1981) •
Au Milieu for piano (1981) •
O Lord How Vain for choir (1984) •
Five Chorales from The Intelligence Park for two pianos (1985) •
From The Intelligence Park for orchestra (1986) •
Swinging Tripes and Trillibubkins for piano (1986) •
Water Parted from The Intelligence Park for soprano or countertenor and piano (1986) •
String Quartet No. 1 (1985) •
Chevaux-de-frise for orchestra (1988) •
Bob for ensemble (1989) •
Triorchic Blues for piano (1991) •
Sextet for ensemble (1993) •
From The Triumph of Beauty and Deceit for orchestra (1994) •
Triorchic Blues for solo trumpet (1994) •
The Chair for organ (1994) •
Piano Quartet No. 1 (1994) •
The Conquest of Ireland for solo bass voice and orchestra (1995) •
Quintet for cor anglais, clarinet, cello, double bass and piano (1994) •
Low for clarinet and piano (1995) •
Piano Quartet No. 2 (1996) •
Before The Road for four clarinets (1997) •
String Quartet No. 2 (1998) •
1998 for violin and piano (1998) •
The Eternal Recurrence, a setting of Nietzsche for soprano and orchestra (1999) •
The Coming of Winter for choir (2000) •
Wiener Blut for large ensemble (2000) •
Wiener Blut for orchestra (2000) •
String Quartet No. 3 (Six Marches) (2001) •
Snow is White for piano quartet (2001) •
God Save the Queen for solo boy's voice, choir and large ensemble (2001) •
Dead March for large ensemble (2001) •
In the Asylum for piano trio (2003) •
Trumpeter for solo trumpet (2003) •
Day for orchestra (versions for strings and full orchestra (2005) •
Lisbon for piano and ensemble (2006) •
First Sorrow (String Quartet No. 4) (2006 •
Karl Heinz Stockhausen (1928–2007) for voice and piano (2008) • ''Feldman's Sixpenny Editions'' for large ensemble (2008) •
Le Vieux Sourd for piano (2008) •
Beethoven for bass voice and large ensemble (2008) •
No other people for orchestra (2009) •
Schott and Sons, Mainz for solo bass voice and choir (2009) • Piano Concerto (2012) •
O Tannenbaum for choir or voice and piano (2012) •
No People for ensemble (nonet) (2013) •
Humiliated and Insulted for piano (2013) •
Baroness von Ritkart for orchestra or any number of instruments: 1 – Clever, noble, but not talented. 2 – Talented, noble, but not clever. 3 – Talented, clever, but not noble. (2014) •
Crossing the Bar for voice and any instruments or orchestra (2014) •
The Destruction of Sodom for 8 horns and 2 wind machines (2015) •
Canada for voice and orchestra (2017) •
Organ Concerto for organ and orchestra (2018) •
Viola Concerto (2019) ==Reception==