Huddleston left Ngukurr in 1982 to move to
Darwin for her daughter, who was a patient in a hospital for several weeks, before travelling and exploring Arnhem Land and
Central Australia. Images from these travels, including
Gunbalanya, the Flinders Range and the deserts appear in a few of her paintings, including the 1996 piece
Different Landscapes around Ngukurr. Describing one of the panels in this piece, Huddleston noted that "...me and my sisters and my brothers and my daddy and mummy. We were travelling all over when we were small... St. Vidgeon area. Like that's our country. Big waterhole there. I was thinking about that too you know when I was drawing that. We have the cave, caves where dead people died inside the cave. They bin reckon big snake went there and burnt them... and left only the bones". Thus, Huddleston's work incorporates themes of landscape and country, family history and ancestral past, and memory and imagination. Additionally, she includes
Christianity as a recurring motif in her paintings. Sometimes it is through obvious title references, as in the case of her 1999 piece
Garden of Eden II. Ahw noted the abundance of trees and bushes in reference to biblical significance of her landscape. The layered bush gardens within her works give expression to syncretic belief systems. In one interview in which she described the
Myall lookout, she stated: "there are lots of different trees and bushes around this area. Ghost gums, cycads, palms and many others. Lots of different plants and a lotta bush tucker. Winter-time, after rain. I am a Christian and this painting reminds me of the
Garden of Eden - like in the
Bible". Huddleston's newfound art techniques were modernist in comparison to other Aboriginal artists. Her use of colours and choice to complement her nature-based paintings with metaphorical storytelling elements, made her paintings extremely pleasing to Western viewers. In 1987, under the guidance of the
Northern Territory Open College of
TAFE, the Ngukurr Arts Centre began using acrylic paint on canvas as major medium. According to Janet McKenzie's review of
Colour Country: Art from the Roper River, "The introduced materials provided an essential catalyst for an outpouring of imagery, for the development of dynamic and innovative works." Her work explores the intersection of natural and artificial colours and landscapes. She began her artistic career with embroidered work that she learned from the mission and sold through the mission shop in Sydney, which heavily influenced her later painting style. Her use of
embroidery imagery and technique "links the celebration of female work with the
Women's Movement and the reappraisal of marginalised individuals and cultures against the hegemony of Western art". Her work
Different Landscapes around Ngukurr was selected for the 14th National Aboriginal and Torres Strait Islander Art Award in 1997, and her work
Garden of Eden II would win the General Painting Prize at the 1999
National Aboriginal & Torres Strait Islander Art Awards (NATSIAA). ==Collections==