Based on her education and influences, Caiserman-Roth established herself as a figurative artist concerned with the human condition and worked through various media: painting, lithography (printmaking), etching, and drawing. She highly valued symbolism and the combination of conventional materials and techniques with unconventional ones. In the early 2000s, she expressed concern for the domination of monetized private studios and their potential corruption of conventional methods of printing, especially with the introduction of
photography into printmaking. Ultimately, she upheld printmaking as a combination of form and content and acknowledges that new techniques are necessary: "We look for a fusion of how it is done with what it says. The tradition of printmaking going back to
Rembrandt and remembering
Hayter is a rich brew of past and present. However, rules are made to be broken, because this is how we push the frontiers out further ... through deeper self knokwledge and the occasional breakthrough into new forms and ways of doing things." Caiserman-Roth has given various artist's statements to attribute her artistic inspiration from a multitude of broad and personal sources: her perceptions, visual observations, memories, dreams, imagination, and her experimental impulse; politics,
psychoanalysis, and family; her techniques, reading, music, and most consistently, nature. She transforms the starting material through synthesis, symbolism, and a fusion of form and theme. She notably said, "My art comes from the 'vocabulary of art.' My personal motto is: 'With shape and a line and some colour I can go far.' I love to play with vocabulary and meaning." ==Movement==