The
Annals have a number of themes common across the series, including power, responsibility,
slavery, and the place of women in society. Reviewers have described Orrec's search for his own identity, in contrast to the identity that has been thrust upon him, as one of the major themes of the novel. This theme is related to the other major theme of the novel, that of power and responsibility. As he comes to terms with his identity, Orrec questions whether he is betraying his power by refusing to try to use it. Gry, too, is unwilling to use her gift to call animals to be hunted, and wonders whether "all the gifts are backward.... They could have been healing, to begin with." The novel ends with the two protagonists realizing that they are unwilling to remain in the cycle of violence and retribution in the Uplands, and leaving to keep their integrity; but they are also running toward a place where they can use their gifts as they please, rather than simply running away. A part of Orrec and Gry's process of growing up is to see beyond the binary choices they are presented with by society. Orrec is faced with a choice of whether to use his power, or to be blindfolded; Gry has to use her power to hunt, or not. Gry realizes that all of the upland powers can be used in two ways: for control and dominion, or for healing and nurturing. This recognition allows them to take a third choice, and leave. This wrestling with choice has been compared to the choices the characters are forced to make in Le Guin's novella
The Ones Who Walk Away from Omelas.
Power and violence Le Guin described the role of magic in the novel in the following manner: "in Gifts, the powers of magic are kind of warped. They are mostly used aggressively and destructively and defensively, actually. You know, it’s like having that secret weapon that they use against each other. It’s all gone kind of sour." The characters in the novel often fail to understand the responsibility that goes along with their power; only by the end of the story do Orrec and Gry come to terms with their gifts, and understand the best way to use them. Orrec's power is misunderstood for much of the novel: he has inherited his mother's ability to tell stories, rather than his father's ability to unmake things. However, he also has power in his reputation, as a person to be feared. Much of the novel is concerned with the abuse of power, and the problems with following without thinking of consequences, as well as the violence that is contained in the Upland society. Orrec's father Canoc does not hesitate to use his power for his own ends: his wife Melle was taken in a raid, over the course of which Canoc slew another man. He nonetheless shows more forethought than some of the other characters in the novel, and actually asks Melle to be his wife; he also gives gifts to her town in return. Melle's stories form an important part of the children's morality, featuring as they do a number of characters exhibiting kindness and altruism, in contrast to the Upland culture. The violence within the Upland society is exemplified in the person of Ogge Drum, who is depicted as a thief and a bully. He lusts after Melle, and kills her with his gift when he realizes he cannot have her. == References ==