Giovanni Filippo Apolloni

Apolloni was born in Arezzo to a family prominent in the city's history. Little is known about his early life, but according to Carolyn Gianturco in her biography of Alessandro Stradella, Apolloni had been a mercenary before turning to poetry. In the 1640s he was a member of Accademia dei Percossi in Florence. Founded by Salvator Rosa, its members were composed of the intellectual and artistic elite of the city and included Giacinto Andrea Cicognini, Antonio Cesti, Antonio Abati, and Lorenzo Lippi. In 1653, on the recommendation of Rosa's patron Cardinal Giancarlo de' Medici, Apolloni was appointed court poet to Ferdinand Charles, Archduke of Austria at Innsbruck. There he produced the libretti for three works by Antonio Cesti: the operas ''L'Argia (1655) and La Dori (1657) and the courtly entertainment Mars und Adonis (1655). Both L'Argia and Mars und Adonis'' were performed during the week-long celebrations in November 1655 welcoming Queen Christina of Sweden on her journey to Rome. In 1672 Flavio and Agostino Chigi formed the Accademia degli Sfaccendati (Academy of the Idlers). Its members were their close associates and all shared an interest in the theatre. They included Apolloni, Queen Christina (patron of the Teatro Tordinona in Rome), Filippo Acciaiuoli (the Tordinona's impresario), Giuliano Capranica whose family ran the Teatro Capranica, and Alessandro Capizucchi. The express purpose of the Sfaccendati was to produce operas to be performed at the Chigi palazzo in Ariccia on the outskirts of Rome. Apolloni and Acciaiuoli co-authored the librettos for two operas which were performed there, Il Tirinto and ''L'Adalinda. However the high cost of producing operas so far from the center of Rome made L'Adalinda the last of these "country house operas". The last opera for which Apolloni wrote the libretto was La forza d'amore composed by Bernardo Pasquini. A slight pastoral work with only three characters, it was performed in Florence at the Villa di Pratolino in 1679. La Dori'' has been revived several times in the 20th century, including productions in 1983 at the Spitalfields Festival in London, 1990 at the Mannes College of Music in New York, and 1999 at the Cittadella Musicale in Arezzo. ==Works==

Operas and other stage works • ''L'Argia'' (opera in a prologue and 3 acts), set by Antonio Cesti, Innsbruck, 1655 • La Dori (opera in a prologue and 3 acts), set by Antonio Cesti, Innsbruck, 1657; also set by Alessandro Scarlatti, Naples, 1689 • Circe (serenata in three parts), set by Alessandro Stradella, performed at the Villa Aldobrandini in honour of Cardinal Leopoldo de' Medici, Frascati, 1668 • ''L'empio punito'' (opera in 3 acts), co-authored with Filippo Acciaiuoli, set by Alessandro Melani, Rome, 1669 • Su, su si stampino in bel lavoro and Amanti, che credete? (intermezzi), set by Alessandro Scarlatti and interpolated in the revival of Cavalli's Scipione affricano, Rome, 1671 • ''L'Alcasta'' (opera in 3 acts), set by Bernardo Pasquini, Rome, 1673 • Il Tirinto (opera in 3 acts), co-authored with Filippo Acciaiuoli, set by Bernardo Pasquini, Ariccia, 1672 • ''Il sacrificio d'Abramo'' (The Sacrifice of Abraham), set by Antonio Masini in 1675 • ''Era l'alba vicina'' • ''Rimbombava d'intorno'' • Il Nerone or ''Sovra un'eccelsa torre'' (also set by Alessandro Stradella) • Era la notte e muto • Ferma Lachesi ohimé • Set by Alessandro Stradella • ''Il piu' tenero affetto'' • Solcava incauto legno • Chi non sa che la costanza • Sprezzata mi credei • Io che lasciato fui • Il Nerone or ''Sovra un'eccelsa torre'' (also set by Antonio Cesti) ==Notes==