Early life Born in Milan to Giovanni Palanti, a carpenter and furniture maker and Virginia De Gaspari, a seamstress, Palanti was orphaned at a young age. Although he completed elementary and technical schools, he is soon forced to find a job, and by 1895 finds employment drawing sketches for the Milanese fabric company, Scotti. In 1899, while still a student, he won a competition to design the cover of the Milanese magazine
La Promessa, and posters for the
Esposizione Floricola di Monza (Monza Flower Exhibition). In 1900, he won the Zogheb competition for best student of the School of Applied Art. He also provided set and costume design for the 1905–06 opera season including
The Marriage of Figaro and the
La Dama di Picche;
Simon Boccanegra in 1910–11, Romeo and Juliet and
L'Armida; Don Carlos in 1912;
Oberon in 1913; and
La Battaglia di Legnano in 1916. He produced notable posters for performances of
La fanciulla del West (1911),
Isabeau (1912), and
Parsifal (1914). In 1906, he was asked to design a series of postcards for the
Milan International World Fair. He would go on to participate in both the
Centennial International Exposition in
Buenos Aires, decorating the façade of the Italian pavilion, and the
Brussels International Exposition decorating the ceiling the Italian pavilion in 1910.
Milano Marittima Palanti was heavily involved in the development of the seaside resort Milano Marittima, north of Cervia. Originally an area of uncultivated coastal pine forests, in 1907 the Municipal Administration of Cervia ceded a vast area along the coast to the Maffei company, allowing them to build villas, parks and gardens in order to create a resort town. The
Società Milano Marittima per lo sviluppo della spiaggia di Cervia (Milano Marittima Society for the development of the beach of Cervia) was created in 1911 to progress development, which Palanti quickly joined. He was an advocate of the
garden city model, influenced by British urban planner
Ebenezer Howard. His vision was of an urban project which would create a new city in which tourist accommodation blended with the surrounding nature. Designed to appeal to the middle class, it consisted of a series of decadent art nouveau villas set within the pine forest. In 1912 he drew up the master plan for the new municipality of
Cervia and the plans for the first villas on the coast.
WW1 In 1915 Palanti attempted to enlist in the
Italian Air Force as an aviator during World War I. His application was rejected as the
Ministry of Education (
Ministero della Pubblica Istruzione) felt he would be of more use as a teacher. He did however contribute to the war effort, designing illustrated postcards and pamphlets which celebrated Italy and provided a source of anti-German propaganda. In 1917, together with his brother Mario, he developed a project for a naval machine: the 'Invulnerable Destroyer' (
Distruttore invulnerabile). His career continued successfully until the early 1940s when WW2 impacted his ability to work. He died in 1946 in Milan at the age of 64, having last exhibited at
La Società Patriottica. He is buried in the
Monumental Cemetery of Milan (
Cimitero Monumentale di Milano).
Work and themes Palanti was an eclectic artist, notably producing oil paintings, preferring portraits and nudes, as well as landscapes and waterscapes. He also worked with decorative arts, including fabric design, ceramics, stained glass, wrought iron, metal objects and furniture. He was an illustrator who produced graphics for posters and book covers, in addition to creating sketches for costume and set design for the Teatro alla Scala. In later life, he worked as an architect and urban planner, integral to the design of the seaside town Milano Marittima. and was father to the architect Giancarlo Palanti and Maria Virginia. ==Legacy==