seen through the mist, as viewed from Walton Hill The Tor is almost surrounded by the low-lying
Somerset Levels, rising to an elevation of . The Bridport Sands have acted as a
caprock, protecting the lower layers from erosion. The iron-rich waters of
Chalice Well, a
spring at the base of the Tor, flow out as an artesian well impregnating the sandstone around it with
iron oxides that have reinforced it to produce the caprock. Iron-rich but oxygen-poor water in the aquifer carries dissolved
iron (II) "ferrous" iron, but as the water surfaces and its oxygen content rises, the oxidised
iron (III) "ferric" iron drops out as insoluble "rusty" oxides that bind to the surrounding stone, hardening it. The low-lying damp ground can produce a visual effect known as a
Fata Morgana when the Tor appears to rise out of the mist. This
optical phenomenon occurs because rays of light are strongly bent when they pass through air layers of different temperatures in a steep
thermal inversion where an
atmospheric duct has formed. The Italian term
Fata Morgana is derived from the name of
Morgan le Fay, a powerful sorceress in
Arthurian legend.
Terraces The sides of the Tor have seven deep, roughly symmetrical terraces, or
lynchets. Their formation remains a mystery with many possible explanations. They may have been formed as a result of natural differentiation of the layers of Lias stone and
clay or used by farmers during the
Middle Ages as
terraced hills to make ploughing for crops easier. Author Nicholas Mann questions this theory. If agriculture had been the reason for the creation of the terraces, it would be expected that the effort would be concentrated on the south side, where the sunny conditions would provide a good yield, but the terraces are equally deep on the northern side, which would provide little benefit. Additionally, none of the other slopes of the island have been terraced, even though the more sheltered locations would provide a greater return on the labour involved. Other explanations have been suggested for the terraces, including the construction of defensive ramparts. Iron Age hill forts including the nearby
Cadbury Castle in Somerset show evidence of extensive
fortification of their slopes. The normal form of ramparts is a bank and ditch, but there is no evidence of this arrangement on the Tor. South Cadbury, one of the most extensively fortified places in early Britain, had three concentric rings of banks and ditches supporting an enclosure. By contrast, the Tor has seven rings and very little space on top for the safekeeping of a community. It has been suggested, that a defensive function may have been linked with
Ponter's Ball Dyke, a linear
earthwork about east of the Tor. The purpose and provenance of the dyke are unclear. It is possible that it was part of a longer defensive barrier associated with
New Ditch, three miles to the south-west, which is built in a similar manner. It has been suggested by
Ralegh Radford that it is part of a great Celtic sanctuary, probably 3rd century BC, while others, including
Philip Rahtz, date it to the post-Roman period and link it to the
Dark Age occupation on Glastonbury Tor. The 1970 excavation suggests the 12th century or later. The historian
Ronald Hutton also mentions the alternative possibility that the terraces are the remains of a medieval "spiral walkway" created for pilgrims to reach the church on the summit, similar to that at
Whitby Abbey. Another suggestion is that the terraces are the remains of a three-dimensional labyrinth, first proposed by Geoffrey Russell in 1968. He states that the classical
labyrinth (
Caerdroia), a design found all over the Neolithic world, can be easily transposed onto the Tor so that by walking around the terraces a person eventually reaches the top in the same pattern. Evaluating this hypothesis is not easy. A labyrinth would very likely place the terraces in the Neolithic era, but given the amount of occupation since then, there may have been substantial modifications by farmers or monks, and conclusive excavations have not been carried out. In a more recent book, Hutton writes that "the labyrinth does not seem to be an ancient sacred structure". ==History==