GNX (album)

Kendrick Lamar released his fifth studio album, Mr. Morale & the Big Steppers, on May 13, 2022, to critical and commercial success. He began working on GNX immediately afterwards in collaboration with music producers Sounwave and Jack Antonoff. Together, they recorded around 80 to 100 songs for the album in the next few years at the studio, with twelve tracks being used in the final album. After concluding The Big Steppers Tour in March 2024, Lamar shared on social media that he had purchased a vintage, limited-run 1987 Buick Grand National Experimental (GNX), a high-spec version of the same model that his father used to take him home from the hospital following his birth. Mr. Morale & the Big Steppers was Lamar's last album with Top Dawg Entertainment (TDE), to which he had signed in 2005. Mr. Morale & the Big Steppers was also Lamar's first album with his own company PGLang. Before his feud with Canadian rapper Drake re-escalated, he quietly departed from Aftermath Entertainment and signed a direct licensing agreement with its distributor, Interscope Records. Lamar released five standalone singles during the latest installment of their conflict, including the Billboard Hot 100-toppers "Like That" and "Not Like Us". The rapper teased a then-untitled song in the beginning of the music video for the latter. Entertainment Weekly observed its inclusion and fan speculation that it could be included in his next album; the song was revealed to be "Squabble Up". Rumors surrounding Lamar's forthcoming album began to emerge, with some being denied by close affiliates. After announcing that he was chosen as the headlining act for the Super Bowl LIX halftime show, Lamar surprise-released "Watch the Party Die" on his Instagram account. Rolling Stone said that the track bodes well for his next album–"whenever it comes". Dazed, on the other hand, predicted that he was gearing up for an "astronomical" era. By October, Lamar's longtime collaborators Terrace Martin, SZA, and Schoolboy Q confirmed that he would be releasing new music. == Composition ==

GNX consists of 12 songs and has a running time of 44 minutes and 20 seconds, the shortest studio album of Lamar's career. It is a West Coast hip-hop album, drawing on both classic and contemporary conventions of the genre. According to Rolling Stone, the album is a tribute to Lamar's native Los Angeles, prominently infusing G-funk throughout its compositions. Songs The regional Mexican music and mariachi singer Deyra Barrera is featured on three songs, both the opening and closing tracks as well as "Reincarnated", Lamar having discovered the singer when she performed at a Los Angeles Dodgers World Series game that he attended in 2024. The production team played Barrera the instrumentation arrangements, and gave her a description of the emotions Lamar wanted to evoke throughout the album. "Wacced Out Murals" opens the album with Lamar addressing the reactions to his announcement as the Super Bowl LIX halftime show headliner, additionally namedropping Nas, Snoop Dogg, and Lil Wayne. Jonah Kreuger of Consequence described it as "fiery" and "intensely confrontational". "Squabble Up" features a performance of "myriad voices, octave changes, and shrieks" that sound as though "he's on the precipice of losing control", according to Matthew Ritchie of Pitchfork; it has been compared to the work of the late Drakeo the Ruler. "Luther" has been described as a "noticeably tender moment" on the album, with lyrics about imagining a better future for one's loved ones; it features a prominent sample of Marvin Gaye's 1967 song "If This World Were Mine" sang by the titular Luther Vandross. On "Man at the Garden", Lamar details the trials and tribulations of his career, and multiple lines possibly alluding to his feud with Drake. Built off the instrumental of "Made Niggaz" by Tupac Shakur, "Reincarnated" sees Lamar present himself in the perspectives of musicians John Lee Hooker and Billie Holiday before the lyrics transition to him having a conversation with God. "Dodger Blue" is a tribute to the culture of Los Angeles with dominant elements of G-funk. Variety described Lamar's lyrics as being "layered in eccentric wit and convincing menace". Ben Sisario of The New York Times noted that it is an "implicit rejoinder" to Drake's diss track of the same name, which in itself was taken from Lamar's "The Heart" song series. On "Gloria", Lamar discusses his relationship with his personified pen as an ode to writing music; multiple critics noted its similarity to "I Used to Love H.E.R." by Common and "I Gave You Power" by Nas. == Promotion and release ==

On November 22, 2024, Lamar unexpectedly premiered a one-minute teaser for GNX on YouTube and Instagram. The video contained a snippet of an unreleased and untitled song, which the media has tentatively called "Bodies". GNX was surprise-released through PGLang and Interscope Records 30 minutes later. On December 3, 2024, Lamar and SZA announced the Grand National Tour in support of the album. The tour began on April 19, 2025, in Minneapolis and concluded on December 11, 2025, in Sydney, Australia. On February 9, 2025, Lamar performed GNX songs "Luther", "Man at the Garden", "Peekaboo", "Squabble Up", and "TV Off" during the Super Bowl LIX halftime show. The performance drew in 133.5 million viewers, making it the most watched Super Bowl halftime show in history. == Critical reception ==

Upon release, GNX received widespread critical acclaim from music critics. Critics who praised the album's tributes to West Coast hip-hop and Lamar's abilities to distill various elements to create a cohesive record include Exclaim!'s Wesley McLean Paste's Matt Mitchell upheld the album as a reimagination of rap's future and Lamar's past, and NME's Kyann-Sian Williams was impressed by the warm storytelling that acted as a palate cleanser after the diss tracks and loathing that had dominated the hip-hop scene. Williams contended that GNX is an "easy contender for the rap album of 2024", Many critics focused on Lamar's self-depiction as a driving cultural force in hip-hop. Alexis Petridis of The Guardian commented that GNX found Lamar at his most confrontational, "deferring only to God". In The Line of Best Fit, Matthew Kim described it as "a concise statement of regional pride, braggadocio, and non-conformity", crediting Jack Antonoff's production for making the album feel "lush and expansive". Concluding the review for AllMusic, David Crone made several claims about the album, calling it, "a pillar of reflective realness, a flag planted in the lineage of Black musical visionaries, a silhouette of the West Coast in the high beams of fameand Kendrick's most speaker-knocking set to date." In a mixed review from Pitchfork, Alphonse Pierre wrote that the album's supposed authenticity was blemished by Lamar's "heavy-handed, brand-conscious narrative", highlighting the production that is "too clean and synthetic", although his delivery remained stellar and the musical guests were memorable. In congruence, Will Hodgkinson of The Times shared his disappointment towards Lamar's self-aggrandizement that deviated from his intellectually provocative themes on past albums, despite the "frequently exceptional" production and flow. Similarly, Robert Christgau praised the production as "a musically virtuosic tour de force", but expressed disillusionment with the lyrics, which he characterised as "predictably braggadocious autobio that was barely virtuosic at all." Jon Caramanica of The New York Times considered Lamar's tribute to his California roots somewhat a retreat to his "comfort zone", calling the album "impressive but slight". Year-end lists GNX appeared on multiple publications' lists of the best albums of 2024, including a top spot by Complex. Billboard, KTLA, Stereogum, Consequence, Esquire, and Yardbarker. GNX was also listed in the top 20 by Clash, Exclaim!, The Independent, Los Angeles Times, Loud and Quiet, NME, and The Times; while Rolling Stone, Slant Magazine, and The Quietus placed the album within their top 50. Publications that featured GNX in unranked lists and as part of honorable mentions include Associated Press, HuffPost, Hypebeast, KCRW, NPR, and Uproxx. On individual critics' lists, the album was respectively ranked third, fifth and seventh by Jem Aswad, Steven J. Horowitz and Chris Willman, the critics for Variety, whilst Dan DeLuca of The Philadelphia Inquirer numbered GNX at twelfth. ==Awards and nominations==

GNX earned over 44.2 million first-day streams on the global Spotify chart, averaging over 3.6 million streams per song despite being available only seven hours prior. It also simultaneously occupied the top two slots on the American Spotify charts, with "Squabble Up" being at number one with 3.272 million streams. GNX became Lamar's second number-one album on the UK Albums Chart after To Pimp a Butterfly (2015). In the United States, GNX debuted atop the Billboard 200 with 319,000 album-equivalent units, including 379.72 million official on-demand streams and 32,000 pure sales, despite only being available via streaming and standard digital downloads. It crossed 500,000 album-equivalent units by the second week. It marked Lamar's fifth consecutive number-one album in the country and scored the sixth-largest opening week of 2024, among all albums. Furthermore, GNX logged the year's biggest streaming week for any hip-hop or R&B album, the second-biggest debut streaming week, and the third-largest streaming week overall, only behind Taylor Swift's The Tortured Poets Department. All 12 songs from GNX debuted on the Billboard Hot 100 chart, occupying the entire top five simultaneously. Lamar is the fifth artist in history to monopolize the premier spots, joining Ariana Grande, Swift, Drake, and the Beatles. Following Lamar's Super Bowl Halftime Show performance, GNX returned to the number 1 spot on the Billboard 200 chart dated February 22, 2025. Elsewhere, GNX debuted at number one in Canada, Australia, and the United Kingdom. ==Track listing==

Credits adapted from album liner notes Notes • signifies an additional producer. • All tracks are stylized in lower case. Sample and interpolation credits • "Squabble Up" contains a sample of "When I Hear Music", composed by Tony Butler, as performed by Debbie Deb. • "Luther" contains a sample of "If This World Were Mine", written by Marvin Gaye, as performed by Luther Vandross and Cheryl Lynn. • "Man at the Garden" contains an uncredited interpolation of "One Mic", written by Nasir Jones and Chucky Thompson, as performed by Nas. • "Hey Now" contains an interpolation of "Scotty", written by Carlos Walker and Lefabian Williams, as performed by D4L. • "Reincarnated" contains a sample of "Made Niggaz", written and performed by Tupac Shakur featuring Outlawz. • "TV Off" contains: • samples of "MacArthur Park", written by Jimmy Webb, as performed by Monk Higgins, and "The Black Hole – Overture", composed by John Barry. • an interpolation of "Kick in the Door", written by Christopher Wallace, Jalacy Hawkins, and Christopher Martin, as performed by the Notorious B.I.G.. • "Heart Pt. 6" contains a sample of "Use Your Heart", written by Chad Hugo, Pharrell Williams, and Tammy Lucas, as performed by SWV. • "Gloria" contains a sample of "Amarga Tristeza", written by Jorge Castañeda, as performed by Combo Impacto. ==Personnel==

Credits adapted from album liner notes and Tidal. Vocalists • Kendrick Lamar – vocals • Deyra Barrera – additional vocals (tracks 1, 6, 12) • The Aeolians of Oakwood University Choir – choir vocals (track 1) • Ink – background vocals (tracks 2, 10), additional vocals (8) • Sam Dew – background vocals (tracks 2, 4–6, 8, 10, 12), additional vocals (3) • Lefty Gunplay – additional vocals (track 7) • Roddy Ricch – additional vocals (track 8) Additional musicians • Kamasi Washington – conductor for strings (track 3) • Paul Cartwright – strings (track 3), violin (7) • Caleb Vaughn Smith – strings (track 3) • Drew Forde – strings (track 3) • Geoff Gallegos – strings (track 3) • Giovanna Moraga – strings (track 3) • Kerenza Peacock – strings (track 3) • Luanne Homzy – strings (track 3) • Luke Maurer – strings (track 3) • Stephanie Payne – strings (track 3) • Stephanie Yu – strings (track 3) • Evan Smith – baritone saxophone, tenor saxophone (track 7) • Miles Mosley – bass (track 7) • Peter Jacobson – cello (track 7) • Amber Wyman – horn (track 7) • Malik Taylor – horn (track 7) • Rickey Washington – horn (track 7) • Ryan Porter – horn (track 7) • Sean Sonderegger – horn (track 7) • Serafin Aguilar – horn (track 7) • Zem Audu – tenor saxophone (track 7) • Chad Jackson – violin (track 7) • Marta Honer – violin (track 7) • Reiko Nakano – violin (track 7) • Tylana Renga – violin (track 7) • Yvette Devereaux – violin (track 7) • Bobby Hawk – violin (tracks 10, 12) Technical • Sounwave – programming (tracks 1 – 5, 10, 12), arrangement (tracks 1 – 5, 9 – 12), string arrangement (tracks 3, 7), piano, synths (track 4) • Jack Antonoff – programming, keys (tracks 1 – 5, 7, 8, 10), percussion (tracks 1, 2, 8, 10), acoustic guitar (tracks 1, 10, 12), cello (track 1), guitar (tracks 2, 3), marxophone, Mellotron (track 3), bass (track 4), electric guitar (track 10), string arrangement (tracks 10, 12) • M-Tech – ambient synth, keys (track 1), Rhodes piano, 808 (track 3) • Dahi – drums, programming, keys, synths (track 1) • Frano – keys, synths (track 1) • Armand Hutton – choir arranger (track 1) • Scott Bridgeway – drums (tracks 2, 3), programming (tracks 2, 3, 9) • Tyler Reese – drums, bass, keys, synths (track 4) • Craig Balmoris – drums, bass, keys, synths (track 4) • Mustard – programming (tracks 5, 7), keys, drums (track 5) • Sean Momberger – programming (track 7), melody (track 9) • Tim Maxey – programming, guitar, synths, bass, drums (track 8) • Tane Runo – programming, guitar, synths, bass, drums (track 8) • Rascal – piano, synthesizer (track 11) • Kenny & Billy – piano loop (track 11) Technical personnel • Ruairi O'Flaherty – mastering • Oli Jacobs – mixing, engineering • Johnathan Turner – engineering • Laura Sisk – engineering • Ray Charles Brown Jr. – engineering • Jack Antonoff – engineering • Dani Perez – engineering (tracks 1, 2, 3, 5, 8, 12) • Jack Manning – engineering (tracks 1, 2, 3, 5, 8, 12) • Sebastian Owen Jones – engineering (tracks 2, 5) • Jozef Caldwell – engineering (tracks 4, 6, 7, 10) • Tony Austin – engineering (tracks 3, 7) • Zem Audu – engineering (track 7) • Joey Miller – engineering (tracks 6, 7) ==Charts==

Weekly charts Monthly charts Year-end charts == Certifications ==