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Gol Gumbaz

Gol Gumbaz, also written Gol Gumbad, is a 17th-century mausoleum located in Bijapur, a city in Karnataka, India. It houses the remains of Mohammad Adil Shah, seventh sultan of the Adil Shahi dynasty, and some of his relatives. Begun in the mid-17th century, the structure never reached completion. The mausoleum is notable for its scale and exceptionally large dome. The structure is an important example of Adil Shahi architecture.

History
The construction of the Gol Gumbaz began in the mid-17th century, during the close of Mohammed Adil Shah's reign, which was from 1627 to 1656. The mausoleum was never completed; construction may have halted in 1656 due to Mohammed Adil Shah's death that year. ==Architecture==
Architecture
The Gol Gumbaz is one of the most ambitious structures built by the Adil Shahi dynasty. It is the most technically advanced domed structure to have been erected in the Deccan, and one of the largest single-chamber structures in the world. Bianca Alfieri asserts that the building's size was a conscious decision made by Mohammed Adil Shah in order to rival the architecture of the Ibrahim Rauza, the tomb of the ruler's predecessor Ibrahim Adil Shah II. The mausoleum is contained in a larger walled complex, with other buildings such as a mosque, a naqqar khana, and a dharmshala. Each side wall of the cube bears three blind arches; the spandrels of the arches contain medallion motifs, and the central arch on each side wall is filled with a stone screen containing doorways and windows. Cornices project from the building, supported by corbels. Atop the cornices are rows of small arches, which are topped by large merlons. Leaves surround the base of the mausoleum's dome, hiding the joint between the dome and its drum. A half-octagonal room is attached to the north facade of the building, though this is also a later addition. Dome At the time of its construction, the Gol Gumbaz boasted the largest dome in the Islamic world. Its external diameter is nearly 44 m and its internal diameter is approximately 38 m. The dome is made of brick and cemented with layers of lime. It has six small openings in its base as well as a flat section at its crown. The dome rests on a circular base, which is internally supported by interlocking pendentives, formed from eight intersecting arches that arise from the interior hall. Similar vaulting is found, though on a smaller scale, in the Jama Masjid of Bijapur and the Ibrahim Rauza. Outside of Bijapur, this pendentive support system is virtually unknown. The conceptual origin of the Gol Gumbaz's pendentives is debated, though a Central Asian influence has been suggested by multiple scholars. Around the base of the dome is a gallery, accessed by the staircases in the towers. It is known as the 'whispering gallery' since the faintest sound from here is heard across the dome, due to the sound reflecting off the dome. ==Art and literature==
Art and literature
In Fisher's Drawing Room Scrap Book, 1833 is a picture of Gol Gumbaz entitled Tomb of Mahomed Shah by Samuel Prout, engraved by R. Sands and accompanied by a poetical illustration by Letitia Elizabeth Landon reflecting on the claim that he had a happy end. ==Gallery==
Gallery
File:Dome Gol Gumbaz2.JPG|alt=|Leaves at the base of the dome File:Art on the Walls of Gol Gumbaz.JPG|Carvings on the wall File:Old GolGumbaz 1890.jpg|Gol Gumbaz c. 1860 File:Gol Gumbaz from gardens.jpg|Tomb viewed from the gardens File:Gol Gumbaz Facade.jpg|Western facade of the Gol Gumbaz File:A building beside Gol Gumbaz.jpg|The mosque for prayer File:Gol Gumbaz, Bijapur, Karnataka -2.jpg|Crenellations of the west facade File:Historical Cannon near Golgumbaz, Vijayapura, India.JPG|Historical cannon displayed in front of Gol Gumbaz File:Ruins near the entrance, Gol Gumbaz.jpg|Ruins near the entrance File:Gol Gumbaz at Bijapur.jpg|Corner view File:Tomb for Mohammed Adil Shah.jpg|Tomb File:Golgumbaj.jpg|alt=|Interior view of dome File:Postal stamp of Golgumbaz.jpg|Postal stamp (1949) ) ==References==
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