In a contemporary review for
The New York Times, critic
Bosley Crowther wrote:Filling the figurative footwear
Madeleine Carroll so neatly occupied in Fay Kanin's play, ''Goodbye, My Fancy," Joan Crawford is working extra hard to make romance and liberalism attractive in the Warner's film version oi that play ... And when Miss Crawford makes a mighty effort to do what she obviously regards as a significant piece of performing, the atmosphere is electrically charged. At least, it is loaded with tension—or a reasonable facsimile thereof—when Miss Crawford herself is posing or parading within the camera's range. For the lady is famous1y given to striking aggressive attitudes and to carrying herself in a manner that is both formidable and cold, That is the principal misfortune of "Goodbye, My Fancy" on the screen. Miss Crawford's errant Congresswoman is as aloof and imposing as the
Capitol's dome. As a liberal-minded alumna who returns to her alma mater's halls to enjoy some sentimental indulgence and runs into a nest of reaction instead, she is adamantine and frigid where she should be pliant and warm, humorless and acrimonious where she should be good-natured and sweetly riled. And that is a serious misfortune, for Mrs. Kanin's play, adapted by Ivan Goff and Ben Roberts, is not a notably sober or solemn work. Indeed, in its slickly stage-wise jumble of glib sophistication and romance, of sentiment and capsuled propaganda, it is just this side of farce. And all of the characters in it—with the exception of the heroine, perhaps—are nimble and limpid creations that might easily be taken for caricatures.
Variety wrote: "Performances are very slick, under Vincent Sherman's direction. Miss Crawford ... sustains the romantic, middle-aged congresswoman with a light touch that is excellent." According to Warner Bros. records, the film cost $1,312,000 and slim profit of $46,000. ==Adaptations==