After school, he worked in entertainment law with the firm Pacht, Ross, Warne & Bernhard and represented among others the
Writers Guild of America. where he oversaw 26 films including
Little Big Man (1970) and
The Boys in the Band (1971). Stulberg worked to turn around the studio's financial performance. He had some notable successes and some failures as well but over all opinion on Stulberg's tenure was quite positive. This was due to his efforts in salvaging and reallocating misused funds, revamping the studio's sagging image, and his foresight in making such films as the epic classic
Star Wars (1977) and cult favorites like
Rocky Horror Picture Show (1975),
Young Frankenstein (1974) and
Sounder (1972). In 1974, Stulberg left Fox after differences with Stanfill and returned to practicing law at the entertainment law firm of Mitchell, Silberberg and Knupp for five years. He returned to the film business in 1980 and became president of
PolyGram Pictures, making
Endless Love (1981) and
An American Werewolf in London (1981). He later became head of American Interative Media, chairman of the board of
Philips Interactive Media of America and a director of
Trimark Pictures. ==Personal life==