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Gothic bluebooks

Gothic bluebooks were short forms of gothic fiction popular in the late 18th century and early 19th century.

Description
Examples of this form of fiction are now rare, surviving only in a few collections. One of the collections where a number of gothic bluebooks have been preserved is the Corvey Library. They measured about three and a half to four inches wide and six to seven inches high. Almost all were abridgements of full-length gothic novels, usually without change of the title or characters' names from the original. Gothic bluebooks were usually either thirty-six or seventy-two pages long, selling for either sixpence or a shilling respectively. These short forms of the Gothic were not popular with critics, with some deeming them as the toxic literary waste of their time period. Like the gothic novel, gothic bluebooks fell into two general groups. One featured a background with a monastery or convent, following novels like The Monk or The Italian, and the other group featured the gothic castle, following novels such as The Castle of Otranto and The Mysteries of Udolpho. which was just one page long. Gothic bluebooks remained a popular trade through the first decade of the 19th century. ==Popularity among writers==
Popularity among writers
From autobiographies, it appears that gothic bluebooks were read by writers like Percy Shelley, Robert Southey, and Sheridan Le Fanu in their youth. One of Percy Shelley's childhood friends, Thomas Medwin, said of Shelley, ==See also==
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