Born in Dresden, Bierey was a pupil of
Christian Ehregott Weinlig. As soon as 1788, he became music director of the
Döbbelinschen. From 1794 until 1806, he worked for
Joseph Seconda in Dresden and Leipzig. In 1807 he made a guest appearance in Vienna, and from December 1807 until 1828 he worked as
kapellmeister at the
Wrocław Opera, where he succeeded
Carl Maria von Weber and his successor Müller. From 1824 to 1828, Bierey also became a director of the municipal theatre there, but he came into constant conflict with
Karl Schall, who opposed him in his
Neue Breslauer Zeitung and vigorously opposed his allegedly unartistic and only money-making management. In Dresden, he was a member of the
masonic lodge Zum goldenen Apfel. At the time of Biery's, the baritone
Johann Theodor Mosewius was also active in Wroclaw (1788-1858) and the comedians
Heinrich Schmelka, Ludwig Wohlbrück and Fritz Beckmann. From 1829, Bierey privatized for health reasons in Wiesbaden, Mainz, Leipzig, Weimar. With few exceptions, his compositions belong to the field of music theatre and consist, besides Lieder, a symphony (1801), a number of cantatas, choirs and songs for stage plays, preludes and 26 operas and operettas, most of which were popular in their time. He wrote his opera
Vladimir, Prince of Novgorod (1806), which led to his appointment to Breslau, for the
Theater an der Wien. Especially lucky was a continuation of
Ferdinand Kauer's
Donauweibchen (part three) in 1801, 1811 the music for
Zacharias Werner's play
Die Weihe der Kraft and 1814
Almazinde oder die Höhle Sesam. Many of his operas suffered from weak texts and therefore did not last long, even though the music, which was sometimes accused of being too closely related to
Luigi Cherubini, was praised and enjoyed listening to. Biery's wife Sophie
née Moreau and his daughter Wilhelmine worked as singers at times. His nickname as a foreign member of the Vienna literary society
Ludlamshöhle was "Rossini of Novgorod". Bierey died in
Breslau at the age of 67. == Work ==