Peabody Conservatory and Curtis Institute She spent the next twelve years in
Baltimore at the
Peabody Conservatory of Music. She earned teacher's certificates in piano (1913) and organ (1916). She taught piano for several years and served as executive secretary of the Peabody from 1917 to 1924. Spofford also wrote music criticism for the
Baltimore Evening Sun. where she established the curriculum and started an international
scholarship program. In September 1928, she would tell
Musical America that women's position as performers, players, and singers is "now unquestioned," arguing that women have always been a "great, active, moving, vitalizing force in music," and note representation of women in the Curtis Institute faculty. Spofford was forced to resign in 1931 after a conflict with director
Josef Hofmann. Following this, Spofford entered the field of "radio education," with the
Peabody Bulletin saying she would "devote her efforts to that study of that work."
Later career Spofford moved to New York City and held a variety of jobs, including running a radio and music counselling service in the
Steinway Building, serving as executive secretary of
Olga Samaroff’s Layman's Music Courses, and managing the
Curtis String Quartet and other acts. She was a music lecturer at the
Katharine Gibbs School from 1936 to 1959 and associate director of the
New York College of Music from 1934 to 1938. Spofford's most notable job was as director of the music school of the
Henry Street Settlement. In 1935, she replaced ousted founding director
Hedi Katz. The school provided access to music education for the underprivileged, including future music professionals as well as students moving on to non-musical careers. The teaching staff included leading musicians and teachers from
Juilliard School and the Curtis Institute. A highlight of her tenure there was a two-act opera she commissioned from composer
Aaron Copland for Henry Street students.
The Second Hurricane premiered at the school in 1937. The
libretto was by
Edwin Denby and it was conducted by
Lehman Engel and staged by
Orson Welles. ==Retirement and later life==