As a young man, Small then made the rounds as a
soul singer in local clubs. He recorded singles with arranger
Wardell Quezergue, some of which are available on
Malaco and
Tuff City Records compilations of New Orleans
funk. In the early '60s, Small's family relocated to New York City, where he took his first steps as a professional entertainer. Small once again played on the streets in between regular gigs, which included a role in a stage revival of
Show Boat, helped the Louisiana vocal group
The Dixie Cups go up to New York, opened on tour with
The Temptations, and cut a few of his own
R&B singles. One was entitled "I'm a Devil," recorded for
Bang! Records. and Small promoted the record with live appearances while wearing what some fans remember as a red devil's suit complete with horns and pitchfork. "Well, it wasn't called a devil suit," he said. "It was a pretty, silk red suit, that looked good. It was a nice show." At the time, Small remembered, he was billed as "The Harmonica King." He also recorded his own "Girls Are Made for Lovin'" in 1969, a Wardell Quezergue ("Big Q") production which has the feel of something by
Curtis Mayfield, maybe, or
Smokey Robinson. It's not an identifiably New Orleans record, although it was made there, originally released on the New Sound label and picked up by Bang. Small recorded the
funk song "E-Ni-Me-Ni-Mi-Ni-Mo" at
Sea-Saint Studios in New Orleans, probably in 1975. Small produced the session and co-wrote the song along with Quezergue and guitarist Teddy Royal. Malaco purchased the master in 1976 and released it as a two-part single, which was a commercial failure. By the '80s, Small had become dissatisfied with life in New York, the grueling schedule of performing in local clubs and on the road, and the music business in general. Bad decisions and unfair contracts had soured him on the industry. When the sight in his good eye started to go and everything got fuzzy, he signed away the rights to one of his songs. "It was to a guy I had taken a liking to, a guy I trusted," he said. Small moved back to New Orleans and took his music to the streets, where it would belong only to him and to the passersby who heard it. Small developed the persona of Grandpa Elliott, an old man dressed in blue denim overalls, a bright red shirt, Santa beard, and a floppy hat who played blues harp and sang for the street traffic on his corner at Royal and Toulouse streets in the
French Quarter, right where he started out. He often teamed with guitarist Michael "Stoney B" Stone and they have become an institution in New Orleans for the people who stopped to listen to them and throw change in their bucket. His act was even written up in
The New York Times in 1995. He arrived here most mornings by taxi and spent his days singing his soulful songs and playing his harmonica. It's the place where everybody knows his name. "When I feel sick, I come out here to feel better," he said. "The French Quarter is my medicine." Small said he doesn't even know what beer tastes like and he's never touched drugs and the only thing he smoked was the exhaust from the cars that pass Royal and Toulouse. His listeners rewarded him with dollar bills and treasures, like the gold wedding band he wore on his finger. "A lot of people walk around with plastic now instead of cash, so they throw what they can," he said. "Some of the rings I get out of my bucket even have diamonds on them." ==Playing for Change==