Shortly after the creation of American Graphophone, Jesse H. Lippincott used nearly $1 million of an inheritance to gain control of it, as well as the rights to the Graphophone and the Bell and Tainter patents. He directly invested $200,000 into American Graphophone, and agreed to purchase 5,000 machines yearly, in return for sales rights to the Graphophone (except in Virginia, Delaware, and the District of Columbia). In 1889, the trade name
Graphophone began to be utilized by Columbia Phonograph Company as the name for their version of the Phonograph. Columbia Phonograph Company, originally established by a group of entrepreneurs licensed by the American Graphophone Company to retail graphophones in Washington DC, ultimately acquired American Graphophone Company in 1893. The company Proceeded to make several smaller, cheaper Graphophones. Including the Columbia B in 1897 which sold over 250,000 units between 1897 and 1907. In 1904, Columbia Phonograph Company established itself in Toronto, Canada. Two years later, in 1906, the American Graphophone company reorganized and changed its name to Columbia Graphophone Company to reflect its association with Columbia. In 1918, Columbia Graphophone Company reorganized to form a retailer, Columbia Graphophone Company—and a manufacturer, Columbia Graphophone Manufacturing Company. In 1923, Louis Sterling bought Columbia Phonograph Co. and reorganized it yet again, giving birth to the future record giant
Columbia Records. Early machines compatible with Edison cylinders were modified treadle machines. The upper-works connected to a spring or electric motor (called Type K electric) in a boxy case, which could record and play back the old Bell and Tainter cylinders. Some models, like the Type G, had new upper-works that were not designed to play Bell and Tainter cylinders. The name
Graphophone was used by Columbia (for disc machines) into the 1920s or 1930s, and the similar name
Grafonola was used to denote internal horn machines. == See also ==