Old Kingdom , the builder of the
second Pyramid at Giza , Egypt The archaeological evidence suggests the Great Sphinx was created between 2600 and 2500 BC for the king
Khufu, the builder of the
Great Pyramid of Giza, or his son
Khafre, the builder of the
second Pyramid at
Giza. The Sphinx is a
monolith carved from the bedrock of the plateau, which also served as the
quarry for the
pyramids and other monuments in the area. Egyptian geologist Farouk El-Baz has suggested the head of the Sphinx may have been carved first, out of a natural
yardang: a ridge of bedrock sculpted by the wind. These can sometimes achieve shapes resembling animals. El-Baz suggests the "moat" or "ditch" around the Sphinx may have been quarried out later to allow for the creation of the full body of the sculpture. The stones cut from around the Sphinx's body were used to construct a temple in front of it; however, neither the enclosure nor the temple were completed, and the relative scarcity of Old Kingdom cultural material suggests a Sphinx cult was not established at the time.
Selim Hassan, writing in 1949 on recent excavations of the Sphinx enclosure, makes note of this circumstance: In order to construct the temple, the northern perimeter wall of the Khafre Valley Temple had to be deconstructed; therefore, the Khafre funerary complex preceded the creation of the Sphinx and its temple. Furthermore, the angle and location of the south wall of the enclosure suggests the causeway connecting Khafre's pyramid and Valley Temple already existed before the Sphinx was planned. The lower base level of the Sphinx temple also indicates it does not pre-date the Valley Temple.
Graeco-Roman period In Graeco-Roman times, Giza had become a tourist destination—the monuments were regarded as antiquities—and some Roman emperors visited the Sphinx out of curiosity and for political reasons. The Sphinx was cleared of sand again in the first century AD in honor of Emperor
Nero and the Governor of Egypt
Tiberius Claudius Balbilus. A monumental stairway—more than wide—was erected, leading down to a pavement in front of the paws of the Sphinx. A podium positioned at the top of the stairs allowed a view into the Sphinx sanctuary. Farther back, another podium neighbored several more steps. The stairway was dismantled during the 1931–32 excavations by
Émile Baraize.
Pliny the Elder describes the face of the Sphinx being colored red and gives measurements for the statue: A stela dated to 166 AD commemorates the restoration of the retaining walls surrounding the Sphinx. The last emperor connected with the monument is
Septimius Severus, around 200 AD. With the downfall of Roman power, the Sphinx was once more engulfed by the sands. File:Retaining walls and Roman Period stairways east of the Sphinx.tif|Side view of the Sphinx with the Roman stairway on the right, c. 1930 File:Excavation East of Sphinx.tif|Top of the Roman stairway before dismantling in 1931–1932 File:Sphinx Map by Henry Salt.tif|Map of the area east of the Sphinx by
Henry Salt Middle Ages Some ancient non-Egyptians saw the Sphinx as a likeness of the god
Hauron. The cult of the Sphinx continued into medieval times. The
Sabians of
Harran saw it as the burial place of
Hermes Trismegistus. Arab authors describe the Sphinx as a
talisman guarding the area from the desert.
Al-Maqrizi describes it as the "talisman of the Nile" upon which locals believed the
flood cycle depended.
Muhammad al-Idrisi stated those wishing to obtain bureaucratic positions in the Egyptian government gave
incense offering to the monument.
Early modern period Over the centuries, writers and scholars have recorded their impressions and reactions upon seeing the Sphinx. The vast majority were concerned with a general description, often including a mixture of science, romance and mystique. A description was made by
John Lawson Stoddard: From the 16th to the 19th centuries, European observers described the Sphinx having the face, neck and breast of a woman. Examples included Johannes Helferich (1579),
George Sandys (1615),
Johann Michael Vansleb (1677),
Benoît de Maillet (1735) and
Elliot Warburton (1844). Most early Western images were book illustrations in
print form, elaborated by a professional
engraver from either previous images available or some original drawing or sketch supplied by an author, and usually now lost. Seven years after visiting Giza, André Thévet (
Cosmographie de Levant, 1556) described the Sphinx as "the head of a colossus, caused to be made by
Isis, daughter of
Inachus, then so beloved of
Jupiter". He, or his artist and engraver, pictured it as a curly-haired monster with a grassy dog collar. Athanasius Kircher (who never visited Egypt) depicted the Sphinx as a Roman statue (
Turris Babel, 1679). Johannes Helferich's (1579) Sphinx is a pinched-face, round-breasted woman with a straight-haired wig. George Sandys stated the Sphinx was a harlot; Balthasar de Monconys interpreted the headdress as a kind of hairnet, and
François de La Boullaye-Le Gouz described the Sphinx as having a rounded hairdo with bulky collar. Richard Pococke's Sphinx was an adaptation of Cornelis de Bruijn's drawing of 1698, featuring only minor changes, but is closer to the actual appearance of the Sphinx than anything previous. The print versions of Norden's drawings for his ''
Voyage d'Egypte et de Nubie'', 1755 clearly show the missing nose. Image:Hogenberg & Braun, 1572.png|
Hogenberg and
Braun (map),
Cairus, quae olim Babylon (1572), exists in various editions, from various authors, with the Sphinx looking different. Image:Jan Sommer, 1591.png|Jan Sommer, (unpublished)
Voyages en Egypte des annees 1589, 1590 & 1591, Institut de France, 1971 (Voyageurs occidentaux en Égypte 3) Image:George Sandys, 1615.png|
George Sandys,
A relation of a journey begun an dom. 1610 (1615) Image:François de La Boullaye-Le Gouz, 1653.png|
François de La Boullaye-Le Gouz,
Les Voyages et Observations (1653) Image:Balthasar de Monconys, 1665.png|
Balthasar de Monconys,
Journal des voyages (1665) Image:Olfert Dapper, 1665.png|
Olfert Dapper, ''Description de l'Afrique'' (1665), note the two different displays of the Sphinx. Image:Cornelis de Bruijn, 1698.png|
Cornelis de Bruijn,
Reizen van Cornelis de Bruyn door de vermaardste Deelen van Klein Asia (1698) Image:Johanne Baptista Homann, 1724.png|Johanne Baptista Homann (map),
Aegyptus hodierna (1724) Image:Norden, 1755 (1).png|
Frederic Louis Norden, ''Voyage d'Égypte et de Nubie'' (1755)
Modern excavations , c. 1885In 1817, the first modern archaeological dig, supervised by the Italian
Giovanni Battista Caviglia, uncovered the Sphinx's chest completely. One of the people working on clearing the sands from around the Great Sphinx was
Eugène Grébaut, a French Director of the
Antiquities Service.
Opinions of early Egyptologists Early Egyptologists and excavators had conflicting opinions regarding the age of the Sphinx and the associated temples. In 1857,
Auguste Mariette, founder of the
Egyptian Museum in Cairo, unearthed the much later
Inventory Stela (estimated to be from the
Twenty-sixth Dynasty, c. 664–525 BC), which tells how
Khufu came upon the Sphinx, already buried in sand. Although certain tracts on the stela are likely accurate, this passage is contradicted by archaeological evidence, thus considered to be
Late Period historical revisionism, a purposeful fake, created by the local priests as an attempt to imbue the contemporary Isis temple with an ancient history it never had. Such acts became common when religious institutions such as temples, shrines, and priests' domains fought for political attention, and for financial and economic donations. In 1883,
Flinders Petrie wrote, regarding the state of opinion of the age of the Khafre Valley Temple, and by extension the Sphinx: "The date of the Granite Temple has been so positively asserted to be earlier than the fourth dynasty, that it may seem rash to dispute the point. Recent discoveries, however, strongly show that it was really not built before the reign of Khafre, in the fourth dynasty."
Gaston Maspero, the French Egyptologist and second director of the Egyptian Museum in Cairo, conducted a survey of the Sphinx in 1886. Maspero concluded because the Dream Stela showed the cartouche of Khafre in line 13, it was he who was responsible for the excavation and therefore the Sphinx must predate Khafre and his predecessors—possibly
Fourth Dynasty, . Maspero believed the Sphinx to be "the most ancient monument in Egypt".
Ludwig Borchardt attributed the Sphinx to the Middle Kingdom, arguing the particular features seen on the Sphinx are unique to the 12th dynasty and the Sphinx resembles
Amenemhat III.
E. A. Wallis Budge agreed the Sphinx predated Khafre's reign, writing in
The Gods of the Egyptians (1904): "This marvelous object [the Great Sphinx] was in existence in the days of Khafre, or Khephren, and it is probable that it is a very great deal older than his reign and that it dates from the end of the
archaic period []."
Selim Hassan reasoned the Sphinx was erected after the completion of the Khafre pyramid complex.
Modern dissenting hypotheses Rainer Stadelmann, former director of the
German Archaeological Institute in Cairo, examined the distinct
iconography of the
nemes (headdress) and the now-detached beard of the Sphinx and concluded the style is more indicative of the pharaoh
Khufu (2589–2566 BC), known to the Greeks as Cheops, builder of the
Great Pyramid of Giza and Khafre's father. He supports this by suggesting Khafre's Causeway was built to conform to a pre-existing structure, which, he concludes, given its location, could only have been the Sphinx. In 2004, Vassil Dobrev of the
Institut Français d'Archéologie Orientale in Cairo announced he had uncovered new evidence the Great Sphinx may have been the work of the little-known pharaoh
Djedefre (2528–2520 BC), Khafre's half brother and a son of Khufu. Dobrev suggests Djedefre built the Sphinx in the image of his father Khufu, identifying him with the sun god
Ra in order to restore respect for
their dynasty. Dobrev also says the causeway connecting Khafre's pyramid to the temples was built around the Sphinx, suggesting it was already in existence at the time. Egyptologist
Nigel Strudwick responded to Dobrev, saying: "It is not implausible. But I would need more explanation, such as why he thinks the pyramid at Abu Roash is a sun temple, something I'm sceptical about. I have never heard anyone suggest that the name in the graffiti at Zawiyet el-Aryan mentions Djedefre. I remain more convinced by the traditional argument of [the sphinx] being Khafre or the more recent theory of it being Khufu." This questionable repair was by the addition of a concrete collar between the headdress and the neck, creating an altered profile. Many renovations to the stone base and raw rock body were done in the 1980s and then redone in the 1990s. == Degradation and violation ==