In a contemporary review for
The New York Times, critic
A. H. Weiler wrote "Life, Mr. O'Connell apparently has learned, is real and earnest and happy Hollywood endings occur only on the West Coast. His leads and the supporting players, most of whom have had experience in the theater and television, behave, for the most part, naturally and unaffectedly. There are many evidences of amateurism, but these may be forgiven for the obvious sincerity they contribute to their assignments."
Kine Weekly wrote: "While the picture has points to recommend it, the artistic validity is much lessened by the fact that the author-producer-director has grafted an essentially melodramatic story onto real backgrounds of Greenwich Village, containing real people going about their normally unusual daily rounds."
Boxoffice wrote: "This is a first-rate example of realistic, strikingly original independent filmmaking. ... O'Connell, who gained film experience with
Federico Fellini and Michelangelo Antonioni in Italy, has achieved some of these masters' off-beat authenticity and appeal. ... His use of actual Village locations, including an opening during a
Washington Square folk-sing and the crowded beatnik bars and hangouts, is superb and the photography by Baird Bryant is striking." ==References==