The gallery was founded in
Bond Street, London, in 1877 by Sir
Coutts Lindsay and his wife Blanche. They engaged
J. Comyns Carr and
Charles Hallé as co-directors. Lindsay and his wife were well-born and well-connected, and both were amateur artists. Blanche was born a
Rothschild, and it was her money which made the whole enterprise possible. The Grosvenor displayed work by artists from outside the
British mainstream, including
Edward Burne-Jones,
Walter Crane and other members of the
Pre-Raphaelite Brotherhood. But it also featured work by others that were widely shown elsewhere, including the Royal Academy, such as
Lawrence Alma-Tadema,
Edward John Poynter and
James Tissot. In 1877
John Ruskin visited the gallery to see work by Burne-Jones. An exhibition of paintings by
James McNeill Whistler was also on display. Ruskin's savage review of Whistler's work led to a famous libel case, brought by the artist against the critic. Whistler won a
farthing in damages. The case made the gallery famous as the home of the Aesthetic movement, which was satirised in
Gilbert and Sullivan's
Patience, which includes the line, "greenery-yallery, Grosvenor Gallery". The enterprising art critic
Henry Blackburn issued illustrated guides to the annual exhibitions under the title
Grosvenor Notes (1877–82). In 1888, after a disagreement with Lindsay, Comyns Carr and Hallé resigned from the gallery to found the rival
New Gallery, capturing Burne-Jones and many of the Grosvenor Gallery's other artists. The break-up of his marriage, financial constraints and personal conflicts forced Lindsay out of the gallery, which was taken over by his estranged wife. ==Revivals==