Today guinguettes are objects of nostalgia. The guinguettes were marvelous places to return to lighter times during the
Années folles of the 1920s. They were obviously an eminent subject for painting during the first half of the 20th century. But television and the ban on bathing in the rivers in the 1960s caused the decline of guinguettes. This ban was justified for reasons of hygiene (water quality deteriorated in the 1960s and 1970s) and safety (the risk due to barge traffic and drowning). In the 1960s, guinguettes became a subject of
nostalgia. Many people forgot guinguettes, as the French scriptwriter
Michel Audiard had one of his characters point out. Since the 1980s, there has been a small revival, particularly along the Marne river. In 2008, some guinguettes were open every weekend. As of 2008, a gradual return to modern guinguettes had begun, notably in Paris, with opening of la Guinguette de Rosa Bonheur, named after the legendary
19th century feminist painter of the same name. Combining the spirit of the
Camargue region in southern France, there are currently four distinct locations, beginning with the original in the
Parc des Buttes-Chaumont, followed by Rosa-sur-Seine at the
Port of Invalides, Rosa à l'ouest in
Asnières-sur-Seine, and Rose à l'Est at the Chalet de la Porte Jaune in the Park
Bois de Vincennes. == See also ==