This was one of the first
Toei animated features to depart from Asian mythology, though, like Toei's previous animated features, it is modeled after the
Disney formula of animated musical feature. By borrowing elements from
Hans Christian Andersen,
Jonathan Swift and
science fiction, it was hoped that this film would attract a large international audience. However, it proved to be no more popular than Toei's previous, Asian-themed films. After the failure in the U.S. of this and Toei's previous animated feature, this was the last Japanese animated feature to be released in the United States for almost five years, until Toei's
The World of Hans Christian Andersen (1968) which was released in the U.S. in 1971.
Staff Not yet the internationally popular electronic music composer he was later to become,
Isao Tomita contributed the original Japanese score. However, for the American edition, songs were composed by
Milton and Anne Delugg, who had provided the song "Hooray for Santy Claus" for
Santa Claus Conquers the Martians (1964). In one of his earliest animation jobs, a young
Hayao Miyazaki worked on this film as an in-between artist. His contribution to the ending of the film brought Miyazaki to the attention of
Toei. The screenplay was written by
Shinichi Sekizawa, the writer of the first
Mothra (1961). Sekizawa also contributed screenplays to some of the most popular films in the
Godzilla series from
King Kong vs. Godzilla (1962), to
Godzilla vs. Mechagodzilla (1974), including
Mothra vs. Godzilla (1964). In the English language version, former
Our Gang star
Darla Hood provides the voice of the Princess.
English soundtrack Milton DeLugg composed the score for the English language version of the film. Milton and his wife Anne Delugg co-wrote seven songs, and their son Stephen providing the voice of "Ricky". The songs are: • "Think Tall" • "The Earth Song" • "I Wanna Be Like Gulliver!" • "That's the Way It Goes" • "Keep Your Hopes High" • "Rise, Robots, Rise" • "Deedle Dee Dum" ==Reception==