An original anime series produced by Bandai Namco Filmworks and animated by Safehouse,
Mobile Suit Gundam: Requiem for Vengeance was first revealed during
Anime Expo 2023. Director Erasmus Brosdau and writer–executive producer Gavin Hignight led the project, featuring music by Wilbert Roget II and character designs by Manuel Augusto Dischinger Moura; the animation producer and sound director was Hiroaki Yura, with mechanical designs by
Kimitoshi Yamane. The series is notable for being entirely animated in
Unreal Engine 5, the first Gundam television production to do so and the franchise's second fully CG installment after
Mobile Suit Gundam MS IGLOO, with six 30-minute episodes released worldwide via Netflix. Multiple staff interviews describe the project's global brief and creative stance. Producer Kenichi Yatomi recounts that discussions with Netflix specifically explored making a full-length Gundam in Unreal Engine. This led to recruiting Brosdau after test footage, with the team aiming for a “Gundam for the world.” In a roundtable, Brosdau, Yatomi, and Yura say the main language was set as English and that the direction emphasized battlefield realism (scale, weight, and vulnerability of infantry) while depicting the Gundam as a fearsome “white devil” from a Zeon point of view. Safehouse's modeling team explained that full-scale mobile suit work began around September 2020. Yamane provided rough takes for the Zaku II F-type and the Gundam EX based on a “military-leaning, real-taste” brief. Bandai Namco Filmworks set an early direction of “slightly character-leaning” designs appropriate to the One Year War period. To grow staff judgment, the studio deliberately started from rough silhouettes rather than finished three-view sheets, modeling and testing in Unreal in parallel to determine specs. Existing assets were generally avoided for the new Zaku and Gundam silhouettes, though some vehicles like the Type-61 tank were adapted. In a separate interview, Yamane, serving as mechanical supervisor, describes pushing the Gundam EX toward a demonic, horror-tinged presence with bone-like forms and red optics, while adjusting armor masses and jointing (for example hip and toe details) to read as plausible machinery in CG motion. He also highlights Safehouse environment and modeling supervisor Takuya Suzuki's role in surfacing and silhouette checks to preserve readability and weight on screen. Brosdau cites
Mobile Suit Gundam: The 08th MS Team,
White Tiger (2012), and
Fury (2014) as touchstones for the show's “on-the-ground” realism, an approach echoed by staff across the CGWORLD feature and related coverage. ==Release==