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Gundohinus Gospels

The Gundohinus Gospels is an illuminated Gospel Book of 754–755 named after its scribe Gundohinus. It contains one of the earliest figures in a Frankish manuscript and is now in the town library in Autun. It is often held as an example of the new Frankish-papal alliance's opposition to Byzantine iconoclasm.

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Its colophon on folio 186 gives Gundohinus' name and states he was working at a scriptorium in Vosevio or Vosevium. It also shows it was completed in the third year of Pepin the Short (c. 754–755) for Fausta (a woman in Pepin's court) and Fuculphus (a monk of a monastery of Saint Mary and Saint John). The location of Vosevio Abbey has never been decisively proven. Some identify it with Luxeuil Abbey, previously known as Vosges or Vosego. Others believe it was near Laon and that the monastery of saint Mary and saint John was a former monastery in Laon founded around 650 according to another text by one Salberga, sister of a Gundohinus and a Fuculph. Others locate it in Burgundy near Autun. Gundohinus was neither a trained artist nor accomplished in the writing of a formal uncial script – he labels himself "inexpert" – the miniatures are derived from an early Christian model. Within this medieval artifact there are a variety of artistic illustrations / depictions that are related to the Four Gospels, including decorated initials, Roman influenced pillars surrounding canon tables, a Maiestas Domini illustration, and four Evangelists portraits. ==Artwork==
Artwork
Maiestas Domini illustration Contained within the Gundohinus Gospels is a miniature of the Maiestas Domini. The subject matter of this page has been described as having a larger centered circle or roundel with four smaller circles or medallions located around the center, as if to form a rectangular type of box frame. In the center circle is a depiction of Christ, seated on a throne while holding a book in one hand and offered the sign of peace or blessing with the other. Canon tables The Gundohinus Gospels contains twelve pages of canon tables which were meant to be used to determine which religious passages were shared within which of the Four Gospels. although Nees places them apart from the insular tradition, speculating that they were instead derived from a Ravenna manuscript. From an iconic figural perspective, though these portraits are part of a work created in the mid-700's CE, their depiction can be compared against that of later era Carolingian empire artistic representations. ==References==
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