The haik is of Arab-
Andalusian origin, and present throughout the Maghreb. In 1792, the ''
m'laya'', a black veil, popular in the eastern part of Algeria, made its appearance to mourn
Salah Bey, Bey of
Constantine. Made from wool, silk or synthetic silk fabric, the haik succeeded, in a very short time, to spread throughout all regions of the country, but its use was adapted to the socio-cultural specificities of the region. English anthropologist
Thomas Athol Joyce describes women's attire of Algeria in his book,
Women of all nations, a record of their characteristics, habits, manners, customs and influence (1915): Before him, the Spanish abbot Diego de Haedo, who lived in Algiers during the 16th century (1578 to 1581), described the haik worn by the women of Algeria in his work
Topographia e Historia general de Argel (1612): One variety of the haik, the , became very popular among women for its design, the way it was worn, and the quality of the fabric used by artisans. The appeared at the end of the nineteenth century and was worn by urban women of Algiers and its suburbs. This type of veil is often associated with feminine beauty and has inspired many
Chaabi poets and singers, who dedicated many of their works to them. A variation on the haik called the
huik was worn from the 14th until the late 19th century in the Netherlands and Belgium, usually black and made of wool or silk. It was worn by women as a protection against bad weather. Later variants were worn during a period of mourning. ==Present-day use==