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Hajra Waheed

Hajra Waheed is a Montréal-based artist. Her multimedia practice includes works on paper, collage, sound, video, sculpture and installation. Waheed uses news accounts, extensive research and personal histories to critically examine multiple issues including: covert power, mass surveillance, cultural distortion and the traumas of displacement caused by colonialism and mass migration.

Exhibitions
(In) The First Circle, Antoni Tàpies Foundation, Barcelona (2012) • Lines of Control, Herbert F. Johnson Museum of Art, Ithaca, (2012) • Field Notes and Other Backstories, Art Gallery of Windsor, Windsor, (2013) • Collages: Gesture and Fragments, Musée d'art contemporain de Montréal, Montréal, (2014) • Lines of Control, The Nasher Museum of Art, Duke University, (2014) • La Biennale de Montréal, Musée d'art contemporain de Montréal, Montréal, (2014) • Asylum in the Sea, Fonderie Darling, Montréal, 2015 • Still Against the Sky, KW Institute for Contemporary Art, London, (2015) • The Missing One, Dhaka Art Summit, Dhaka, (2016) • Sobey Art Award Exhibition, National Gallery of Canada, Ottawa, (2016) • The Eighth Climate (What Does Art Do?), 11th Gwangju Biennale, Gwangju, (2016) • Sea Change - Chapter 1, Character 1: In the Rough, Mosaic Rooms, London (2016) • Farewell Photography, Biennale für aktuelle Fotografie, Kunstverein Ludwigshafen, Ludwigshafen, (2017) • Turbulent Landings: NGC Canadian Biennial, Art Gallery of Alberta, Edmonton, (2017) • Viva Arte Viva, Venice Biennale, Venice, (2017) • The Video Installation Project, Musée d'art contemporain de Montréal, Montréal, (2017) • Hold Everything Dear, The Power Plant, Toronto, (2019) == References ==
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