Byung-Chul Han

Byung-Chul Han studied metallurgy at Korea University in Seoul before moving to Germany in the 1980s to study philosophy, German literature and Catholic theology in Freiburg im Breisgau and Munich. Han has said that he arrived in Germany at the age of 22, without knowing German or having read almost any philosophy. In 1994, he received his doctoral degree at Freiburg with a dissertation on Stimmung, or mood, in Martin Heidegger. In 2000, he joined the Department of Philosophy at the University of Basel, where he completed his habilitation. In 2010, he became a faculty member at the Karlsruhe University of Arts and Design, where his areas of interest were philosophy of the 18th, 19th and 20th centuries, ethics, social philosophy, phenomenology, cultural theory, aesthetics, religion, media theory, and intercultural philosophy. From 2012 to 2017 he taught philosophy and cultural studies at the Universität der Künste Berlin (UdK), where he directed the newly established Studium Generale general studies program. Han is the author of more than thirty books, the most well known are treatises on what he terms a "society of tiredness" () and a "society of transparency" (). He also wrote about the concept of shanzhai (山寨), a style of imitative variation, which pre-exist practices known in Western philosophy as deconstructive. Han's current work focuses on transparency as a cultural norm created by neoliberal market forces, which he understands as the insatiable drive toward voluntary disclosure bordering on the pornographic. According to Han, the dictates of transparency enforce a totalitarian system of openness at the expense of other social values such as shame, secrecy, and trust. == Personal life ==

Through his career, Han has refused to give radio and television interviews and rarely divulges any biographical or personal details, including his date of birth, in public. Although he did give a press conference prior to receiving The Princess of Asturias Award in 2025, he refused the typical press conference offered to a recipient each year. He accepted the press conference after some hesitation, but only answered questions related to his work. He is a Catholic. ==Thought==

Han has written on topics such as attention deficit hyperactivity disorder, borderline personality disorder, burnout, depression, exhaustion, internet, love, multitasking, pop culture, power, rationality, religion, social media, subjectivity, tiredness, transparency and violence. Much of Han's writing is characterised by an underlying concern with the situation encountered by human subjects in the fast-paced, technologically driven state of late capitalism. The situation is explored through several themes in his books: sexuality, mental health (particularly burnout, depression, and attention deficit hyperactivity disorder), violence, freedom, technology, and popular culture. According to Han, driven by the demand to persevere and not to fail, as well as by ambitions of efficiency, we become committers and sacrificers at the same time and enter a swirl of demarcation, self-exploitation and collapse. In Psychopolitics, Han explains that "When production is immaterial, everyone already owns the means of production, him- or herself. The neoliberal system is no longer a class system in the proper sense. It does not consist of classes that display mutual antagonism. This is what accounts for the system's stability." Han argues that subjects become self-exploiters: "Today, everyone is an auto-exploiting labourer in his or her own enterprise. People are now master and slave in one. Even class struggle has transformed into an inner struggle against oneself." In ('Agony of the Eros') Han carries forward thoughts developed in his earlier books The Burnout Society () and Transparency Society (). Beginning with an analysis of the "Other" Han develops an interrogation of desire and love between human beings. Partly based on Lars von Trier's film Melancholia, where Han sees depression and overcoming depicted, Han further develops his thesis of a contemporary society that is increasingly dominated by narcissism and self-reference. Han's diagnosis extends even to the point of the loss of desire, the disappearance of the ability to devote to the "Other", the stranger, the non-self. At this point, subjects come to revolve exclusively around themselves, unable to build relationships. Even love and sexuality are permeated by this social change: sex and pornography, exhibition/voyeurism and re/presentation, are displacing love, eroticism, and desire from the public eye. The abundance of positivity and self-reference leads to a loss of confrontation. Thinking, Han states, is based on the "untreaded", on the desire for something that one does not yet understand. It is connected to a high degree with Eros, so the "agony of the Eros" is also an "agony of thought". Not everything must be understood and "liked", not everything must be made available. In ('Topology of Violence'), Han continues his analysis of a society on the edge of collapse that he started with The Burnout Society. Focusing on the relation between violence and individuality, he shows that, against the widespread thesis about its disappearance, violence has only changed its form of appearance and now operates more subtly. The material form of violence gives way to a more anonymous, desubjectified, systemic one, that does not reveal itself, as it is merging with its antagonist – freedom. This theme is further explored in "Psychopolitics", where through Sigmund Freud, Walter Benjamin, Carl Schmitt, Richard Sennett, René Girard, Giorgio Agamben, Deleuze/Guattari, Michel Foucault, Michel Serres, Pierre Bourdieu and Martin Heidegger, Han develops an original conception of violence. Central to Han's thesis is the idea that violence finds expression in 'negative' and 'positive' forms (note: these are not normative judgements about the expressions themselves): negative violence is an overtly physical manifestation of violence, finding expression in war, torture, terrorism, etc.; positive violence "manifests itself as over-achievement, over-production, over-communication, hyper-attention, and hyperactivity." The violence of positivity, Han warns, could be even more disastrous than that of negativity. "Infection, invasion, and infiltration have given way to infarction." ==Reception==

, Christophe Barbier, Philippe-Joseph Salazar, among others The Burnout Society has been translated into over 35 languages. Several South Korean newspapers voted it the most important book in 2012. It sold over a hundred thousand copies across Latin America, Korea, and Spain. The Los Angeles Review of Books described him as "as good a candidate as any for philosopher of the moment." The Guardian wrote a positive review of his 2017 book Psychopolitics: Neoliberalism and New Technologies of Power, while the Hong Kong Review of Books praised his writing as "concise almost to the point of being aphoristic, Han's writing style manages to distill complex ideas into highly readable and persuasive prose" while noting that "on other occasions, Han veers uncomfortably close to billboard-sized statements ("Neoliberalism is the capitalism of Like"), which highlights the fine line between cleverness and self-indulgent sloganeering." Along similar lines, others observe that he writes with a style "more typical of [literature and poetry] than philosophical essays", though Han contends that "In the past, "I wrote differently. I wrote books that were very difficult to read, without thinking about whether they were understandable. But now, for me, [accessibility] is very important." == Works in English ==

• The Burnout Society (Stanford: Stanford University Press, 2015) . • The Transparency Society (Stanford: Stanford Briefs, 2015) • The Agony of Eros (Cambridge, Massachusetts: MIT Press, 2017) • In the Swarm: Digital Prospects (Cambridge, Massachusetts: MIT Press, 2017), • Psychopolitics: Neoliberalism and New Technologies of Power (London & New York: Verso Books, 2017) • Saving Beauty (Cambridge: Polity Press, 2017) • The Scent of Time: A Philosophical Essay on the Art of Lingering (Cambridge: Polity Press, 2017) • Shanzhai: Deconstruction in Chinese (Cambridge, Massachusetts: MIT Press, 2017) • The Expulsion of the Other: Society, Perception and Communication Today (Cambridge: Polity Press, 2018) • Topology of Violence (Cambridge, Massachusetts: MIT Press, 2018) • What Is Power? (Cambridge: Polity Press, 2018) • Good Entertainment: A Deconstruction of the Western Passion Narrative (Cambridge, Mass.: MIT Press, 2019) • The Disappearance of Rituals: A Topology of the Present (Cambridge: Polity Press, 2020) • Capitalism and the Death Drive (Cambridge: Polity Press, 2021) • The Palliative Society: Pain Today (Cambridge: Polity Press, 2021) • Hyperculture: Culture and Globalisation (Cambridge: Polity Press, 2022) • Infocracy: Digitization and the Crisis of Democracy (Cambridge: Polity Press, 2022) • Non-things: Upheaval in the Lifeworld (Cambridge: Polity Press, 2022) • The Philosophy of Zen Buddhism (Cambridge: Polity Press, 2022) • Absence: On the Culture and Philosophy of the Far East (Cambridge: Polity Press, 2023) • Vita contemplativa: In praise of inactivity (Cambridge: Polity Press, 2023) • The Crisis of Narration (Cambridge: Polity Press, 2024) • The Spirit of Hope (Cambridge: Polity Press, 2024) • In Praise of the Earth: A Journey into the Garden (Cambridge: Polity Press, 2025) == Awards ==

• 2025: Princess of Asturias Award for Communication and Humanities. ==References==