Symbolism and art Segal emphasised the difference between the symbol as representative and the earlier stage of symbol as equivalent, stating that "only when separation and separateness are accepted does the symbol become the representative of the object rather than being equated with the object." The earlier stage of
symbolic equation was by contrast typical of concrete psychotic thinking. Building on and extending her analysis of symbolism, Segal made further contributions to Kleinian aesthetics. Segal stresses that "one of the most important tasks of the artist is to
create a world of his own", something which requires "an acute reality sense in two ways: first, towards his own inner reality...and secondly...of the reality of his
medium." She also emphasised the role of the ugly in artistic creation, as a reflection of the fragmenting of good objects into persecutory ones, seeing the roots of artistic creation in the desire to restore a fragmented inner world.
War Segal explored the relationship of war to the contrast between the paranoid and depressive positions in Kleinian thought, highlighting the usefulness of the role of an identified enemy in warding off the subjective pain of depression. Segal continued her lengthy examination of the relationship between psychological factors and war in her work on the symbolic significance of the
events of September 11. ==Criticism==