Born in
Dillingen, Germany, Hannelore Alexander and her family fled persecution in
Nazi Germany, crossing the border into
Luxembourg in 1939. In 1941 Baron's family travelled from Lisbon to New York and settled in the
Bronx, New York City after the United States Consulate granted them an emigration quota. In the time Baron graduated from the Staubenmiller Textile High School in Manhattan in 1945, the young artist was reading eastern philosophy, making increasingly abstract paintings and already experiencing the symptoms of claustrophobia and depression that would lead to a series of nervous breakdowns throughout her life. Baron's high school education centered around fashion illustration, it was not of interest to her and no use in her art, although materials and textiles did interest her and were a paramount to her art. In 1950, Hannelore Alexander married Herman Baron, a bookseller, with whom she had their daughter Julie and their son Mark. In the late 1950s Baron combined a variety of techniques and began making her first collages. Occupied with raising her two children and beset by psychological problems, Baron nevertheless exhibited her work and in 1969, the year of her one-person exhibition at Ulster County Community College, she began to make the box constructions that would become her signature. In the early 1970s, Baron established a studio and devoted her time and energy completely to her artwork until her death in 1987 from cancer. Hannelore Baron was self-taught. Although her compositions are completely abstract, she considered them to be both personal and political statements. In her own words,
Everything I’ve done is a statement on the, as they say, human condition...the way other people march to Washington, or set themselves on fire, or write protest letters, or go to assassinate someone. Well, I’ve had all the same feelings that these people had about various things, and my way out, because of my inability to do anything else for various reasons, has been to make the protest through my artwork... H.B. Throughout the 1970s and 1980s her work garnered critical acclaim, along with gallery and museum exhibitions in the United States, Europe and Japan. In 1995, her work was the subject of a one-person exhibition at the
Solomon R. Guggenheim Museum in New York. In 2001 her work was the subject of a traveling exhibition curated by
Ingrid Schaffner and organized by the
Smithsonian Institution Traveling Exhibition Service. Her works can be found in the collections of
The Museum of Modern Art, New York; the Solomon R. Guggenheim Museum, New York; the
Whitney Museum of American Art, New York; the
Los Angeles County Museum of Art,
The Art Institute of Chicago, the
San Francisco Museum of Modern Art, the
Museum of Fine Arts, Boston, the
Minneapolis Institute of Art and the
Israel Museum, Jerusalem. ==Works==