From its earliest days, hardboiled fiction was published in and closely associated with so-called
pulp magazines. Pulp historian Robert Sampson argues that
Gordon Young's "Don Everhard" stories (which appeared in
Adventure magazine from 1917 onwards) about an "extremely tough, unsentimental, and lethal" gun-toting urban
gambler, anticipated the
hardboiled detective stories. In its earliest uses in the late 1920s, "hardboiled" did not refer to a type of crime fiction; it meant the tough (cynical) attitude towards emotions triggered by violence. The hardboiled crime story became a staple of several pulp magazines in the 1930s; most famously
Black Mask under the editorship of
Joseph T. Shaw, but also in other pulps such as
Dime Detective and
Detective Fiction Weekly. Consequently, "pulp fiction" is often used as a synonym for hardboiled crime fiction or gangster fiction; some would distinguish within it the private-eye story from the crime novel itself. In the United States, the original hardboiled style has been emulated by innumerable writers, including
James Ellroy,
Paul Cain,
Sue Grafton,
Chester Himes,
Paul Levine,
John D. MacDonald,
Ross Macdonald,
Walter Mosley,
Sara Paretsky,
Robert B. Parker, and
Mickey Spillane. Later, many hardboiled novels were published by houses specializing in paperback originals, most notably
Gold Medal, and in later decades republished by houses such as
Black Lizard. File:Paolo Monti - Servizio fotografico - BEIC 6340857.jpg|Photo by
Paolo Monti, 1975 File:Spicy-Adventure Stories November 1936.png|
Femmes fatales were standard fare in hardboiled fiction. ==Relation to noir fiction==